A Reading Life Special Event
Irish Short Story Month Year III
March 1 to March 31
Eddie Stack
Dublin
"Morning Tea"
In an act of supreme generosity Eddie Stack has sent me 22 short stories to post for Irish Short Story Month. I offer him my great thanks for this. I intend to share all of these short stories with my readers. He is a master story teller with a deep understanding of Ireland.
Press comments on his work
Press comments on his work
Praise for Eddie Stack’s writing
"Mr. Stack's fiction is versatile and engaging...a vivid, compassionate, authentic voice...securing (him) a place in the celebrated tradition of his country's storytelling.”
New York Times Book Review
“This second collection of short stories by Eddie Stack has a wonderful sense of unreality, of weirdness among Irish characters and of downright fun.”
Irish Emigrant
“Eddie Stack’s stories jet back and forth across the Atlantic, contrasting small town Ireland and big city US. Every time they land, the author seems to test the borderline of what might and might not be possible in downtown bars, crumbling dance halls and drizzly farms. The result is a remarkably consistent collection of short stories.
Ian Wild, Southword
"Morning Tea"
by
Eddie Stack
by
Eddie Stack
She woke earlier
than usual, suddenly alert, like she’d parachuted into the dawn from a
dreamless sleep. It was 7.15 on the digital bedside clock, and grey slivers of
light crept through the sides of the curtains.
She’d snooze for another hour, until Jack brought her morning cup of
tea. And then it struck her that she’d talk to him today. She’d break the ice
and say,
“Thanks, Jack.”
Maybe she’d ask, “What kind of a day is
it?” The freeze had gone on too long—
two months, maybe more. She’d relent and speak to him today.
Mona turned towards
the wall and pulled the duvet over her head and shoulders like a hood. The
bedroom was cold, and she made a mental note to ask Jack to reset the boiler
for quickening winter. She’d say it in a soft voice, maybe at teatime. They
should be cautiously talking by then. She’d prepare something nice for him —
one of his favourite dishes, something from their early years. Toad-in the-Hole, Cornish Pasties, Welsh
rarebit. And lunch too. When he’d come at 1pm from his job in Carney’s Medical
Hall, she’d have a hearty plate on the table instead of a sliced loaf and a
hard lump of orange cheddar. Of course,
if right was right, he should be having his lunch in Carney’s. If right was right, Carney’s should be
theirs: she was Carney, it had been her father’s business. The thought made her
restless and she turned on her back and felt colder. It was Jack’s fault. Her father
didn’t like him, thought him a wimp. And rather than pass on the business to
them, he sold it instead. She didn’t even get the money, her father left it all
to the Vincent de Paul. That caused the first major row between her and Jack.
That row lasted nearly a year and finished when she fell down the stairs and
broke her ankle.
As she recovered,
Jack began talking about starting a family. She’d postponed having a child
while her father was alive, because the old man was adamant he’d prefer the
line to be extinct than have it tainted
with Jack’s blood. She didn’t tell this
to Jack, but filed it away as ammunition for a vicious row, when she really
wanted to tear out his heart. Now talk of starting a family was unnerving. She
wasn’t ready. The thought of coupling with Jack paled and lined her face. It
slowed her recovery. One evening at tea, as he served up spicy chicken wings
and French fries, he said,
“I can’t wait until we’re setting this
table for three.”
“Who’s moving in?” she asked wearily.
“Well...our child...I mean not immediately...but
you know what I mean...in the future.”
“Oh,” she sighed, paused to push away her
untouched plate and said, “If you don’t mind Jack, I’d prefer not to think of
that right now. I need all my energy to get on my feet again, so I don’t have
to depend on you.”
“It’s no bother to me.”
“Well it bothers me Jack. And for the last
month at least, it’s nothing from you but having a baby, preferring a girl if
it made me happier. What the hell is all this about? It’s all your decision.
What about me? What about me, Jack? Hmm? You lost the Medical Hall on me and
now you want a baby. You’re pathetic
Jack.”
He took his meal into the sitting room and
they didn’t speak again until she had to go to the hospital to have the cast
removed from her leg. But he never stopped bringing her a cup of tea in the
morning. That was the one constant in their marriage, Jack always brought her a
cuppa in bed, and he was always waving the flag of truce. And though she
despised the gesture, she always welcomed the tea.
She turned on the
left shoulder and glanced at the clock: 7.40. Times goes slowly when you wake
early. She’d often stayed awake right through the night, only dropping off when
she heard children going to school. Many movies had run in her head in the
darkness, reels of film were scattered on the floor of her mind. In some films,
she was married to other men— Gabriel Byrne and Bill Clinton were husbands in a
few dramas. In another feature, Jack dies, gets killed or just disappears, and
she marries Robert de Niro, who’s the local doctor.
The floor upstairs creaked and she perked
her ears like a hound. Jack was up. More rummaging than usual. The wardrobe
door creaks open, clothes hangers rattle, and rumble of shoes. A sneeze. Then solid
footsteps across the landing and down the stairs to her floor. Right turn into
the bathroom, bolts the door and water fills the hand-basin. Washing. Gurgle of wastewater. Toilet flush.
Door unbolts and Jack exits the bathroom, turns left and goes down the stairs.
She waited for the snapping sound of
kindling wood, waited for the scent of burning pine to weave upstairs through
the thin morning air. Hearing no fire-making, she wondered what he was at. That
bloody kitchen will be freezing when I get up, she thought, if he doesn’t put
down a fire soon. From below came the shrill whistle of the kettle on the gas
burner as it boiled. At least he’s
making the tea, she sighed and relaxed.
Footsteps came up the stairs and she
pretended to be asleep, heart pacing as she waited for Jack to twist the brass
doorknob. But Jack turned right instead, and climbed the steps to the next
floor. Mona opens her eyes. What’s he at? Rummaging. Footsteps on the landing
and down the stairs again, slowly, like he’s taking one step at a time. He
passes her room and descends to the kitchen. That’s odd, she thought and turned
on her back and looked at the ceiling.
They never had a family. After she broke
the ankle, they weren’t intimate again. They slept together for the warmth and
security of the company, but there was no talk of babies coming into the house.
She was the boss, it was her house, inherited from her grandmother. He’d made a
good catch and he should be happy to have such a sturdy roof over his head. In
fairness, he wasn’t demanding and was always there when she needed him. When
they went out to dine with friends or to functions at the golf club or the
hotel, he was the perfect partner and great company. He blossomed when they
socialized with Doctor Logan and his wife, the Carters, the Faheys, or other
town gentry. After Jack had a few gins, she could almost love him. It was then
she saw the man she married. The vision never lasted long and the more she
drank, the more he morphed into a toad. If it wasn’t her house, she’d have left
him years ago. She tried to throw him out several times, but he refused to go.
Ignored her and went about his life as normal.
A few years after
her father died, they attended a marriage counselor in Limerick. It was
expensive and they went twice a month on Thursday afternoons, when the Medical
Hall closed for the half-day. She remembered the journeys were long and grey,
she drove her father’s old Morris Oxford, because Jack never learned to drive.
But he paid for the session and bought the petrol. On the way home, they
stopped at the West County Grill and he was always chatty and ordered the best
courses on the menu. He always said they were making progress and urged her to
do the communication exercises that the counselor suggested. She promised to do
them the following day but that day never came.
And then, as they were about to attend their first session of the New
Year, something snapped in Mona.
“This is going nowhere, Jack,” she said. “I’m
not wasting anymore time. This therapy thing isn’t working for me.”
“Just give it a few more tries, we’re
making progress Mona, we really are. We had the best Christmas we’ve ever had.”
She shook her head.
“If you want, go by yourself, you can have
my car.”
He called the counselor and apologized that
they wouldn’t be making the appointment. Then wrote a check for the fees and
put it in the mail.
She heard the
toaster pop and then got the whiff of charred bread. Soon he’ll bring the tea,
she thought, maybe he was making toast for her. Maybe he’d go the extra mile
and bring a glass of orange juice as well, he used do that when they were first
married. Sometimes he brought her grapefruit, sprinkled with brown sugar and
caramelized under the grill.
The sun came over the houses and weakly
lit the room with a slice of light through the window drapes. A magpie
chattered somewhere outside, and a few cars passed on their way to Ennis. The
garbage truck trundled down Main Street and a school bus pulled up in the
square and unloaded students. She glanced at the clock: 8.50. Christ! Where was
her tea? Here he comes — the solid footstep climbing steadily, balancing the
cup. A rush of thoughts scrambled through her head. What would she say to him?
Thanks? Eyes open, she lay on her back, staring at the ceiling as the doorknob
turned and he entered.
“You’re awake,” he said softly as he bent
down to leave the cup and saucer on the bedside locker, “here’s your tea.”
She got a whiff of cologne, but said
nothing, thinking he never wears cologne going to work. She decided to ignore him.
“No word today either,” he said.
Jack stood beside the bed and Mona stared
blankly at the ceiling. He turned away after a short while, left the room and
quietly closed the door. His cologne hung in the room and she sat up in
annoyance. She heard him sob quietly as he descended to the kitchen. The old
softy, she sighed, what a bloody weeping willow. It’s me who has cause to weep,
not him. She sipped the tea: it was too strong and she angrily left it back on
the locker. He can’t even make a proper cup of tea anymore.
The cathedral bells
pealed for morning Mass, as a car pulled up outside and someone got out. Gentle
knock on the door. That’s odd, she thought and wondered who it was. She felt tempted to peep out the window. The
door opened and she heard the mumble of voices. A woman talking to Jack? She
heard the front door close with a firm bang, car doors shut and the vehicle
moved away. What was that about? Who was that woman? Did Jack go off in the car
with her? Was she giving him a ride to work?
Peeved, she bounded from the bed, donned
dressing gown and slippers and hurried downstairs. A sense of emptiness met her
step by step and by the time she reached the ground floor, her heart was
alarmed. She flashed her eyes around the
kitchen, trying to understand what was different, what was wrong. Nothing was
out of place, except the bunch of keys on the bare table. Jack’s keys. The key
of her house, the keys of Carney’s Medical Hall, the key of his bicycle lock.
She picked them up and hurried back upstairs, wondering where to hide them. “Such
a fool,” she mulled, “to leave the house without his keys.”
She put them at the bottom of her
underwear drawer and got back into bed to wait for his knock on the door or his
call on the phone. Of course she wouldn’t answer either. Rain pattered against
the window and cold crept around her. Mona wondered why he hadn’t put down the
fire.
“What about me, Jack?” she asked the empty
house, “what about me?”
Author Bio
Eddie Stack has received several accolades for his fiction, including an American Small Press of the Year Award, and a Top 100 Irish American Award. Recognized as an outstanding short story writer, he is the author of four books —The West; Out of the Blue; HEADS and Simple Twist of Fate.
A natural storyteller, Eddie has recorded spoken word versions of his work, with music by Martin Hayes and Dennis Cahill. In 2010, he integrated spoken word and printed work with art, music and song to produce an iPhone app of The West; this was the first iPhone app of Irish fiction.
His work has appeared in literary reviews and anthologies worldwide, including Fiction, Confrontation, Whispers & Shouts, Southwords and Criterion; State of the Art: Stories from New Irish Writers; Irish Christmas Stories, The Clare Anthology and Fiction in the Classroom.
A natural storyteller, Eddie has recorded spoken word versions of his work, with music by Martin Hayes and Dennis Cahill. In 2010, he integrated spoken word and printed work with art, music and song to produce an iPhone app of The West; this was the first iPhone app of Irish fiction.
My great thanks to Eddie Stack for allowing me to post this story.
This story is the sole property of Eddie Stack and is protected under international copyright laws and cannot be published or posted online without his permission.
Mel u
No comments:
Post a Comment