" If Helen of Troy could have been seen eating peppermints out of a paper bag, it is highly probable that her admirers would have been an entirely different class." Djuna Barnes
I was looking at a very interesting and new to me web page this morning, Modernist Women. It has great pictures of Woolf, Mansfield, Rhys, Bowen and numerous other writers, among them Djuna Barnes.
My second question to myself was (after I wondered how to pronounce her first name) what qualified her to be listed among the great women writers of the 20th century. Of course I Googled her.
I was happy to see that the winter 2005 issue of Lodestar Quarterly had one of her short stories online. "What Do You See, Madam" is about the back stage life of a dancer New York City in the roaring 1920s:
The Bowery, which is no place at all for virtue or duplicity, had seen Mamie try on her first fit of sulks and her first stay laces. They knew then that her pattern was Juno, her heritage Joseph, and her ambition jade. At the age of ten she had learned to interpret Oscar Wilde.
Mamie grew up in the theaters of New York city and had no illusions as to why men came to see her dance the role of Salome. Unfortunately the Board of Decency has been advised that her performances may cross the line! As the story opens the board is on their way to see her do a private show just for them. I will not tell more of the plot here.
"What Do You See, Madam" has some good lines.
When she passed the boundaries of decency, it was a full run for your money; when she went up in smoke, those original little pasty pans of Egypt became chimney pots.It is worth the time it takes to read it. I am glad I was able to sample her work. She is for sure a GLBT icon right below Collete and Wilde.
If you have read other works by Djuna Barnes, please leave your experience in a comment.