The Star of Madrabawn" by Eddie Stack A Short Story
A Reading Life Special Event
A Reading Life Special Event
Irish Short Story Month Year III
March 1 to March 31
Eddie Stack
Dublin
In an act of supreme generosity Eddie Stack has sent me 22 short stories to post for Irish Short Story Month. I offer him my great thanks for this. I intend to share all of these short stories with my readers. He is a master story teller with a deep understanding of Ireland.
Press comments on his work
Press comments on his work
Praise for Eddie Stack’s writing
"Mr. Stack's fiction is versatile and engaging...a vivid, compassionate, authentic voice...securing (him) a place in the celebrated tradition of his country's storytelling.”
New York Times Book Review
“This second collection of short stories by Eddie Stack has a wonderful sense of unreality, of weirdness among Irish characters and of downright fun.”
Irish Emigrant
“Eddie Stack’s stories jet back and forth across the Atlantic, contrasting small town Ireland and big city US. Every time they land, the author seems to test the borderline of what might and might not be possible in downtown bars, crumbling dance halls and drizzly farms. The result is a remarkably consistent collection of short stories.
Ian Wild, Southword
"The Star
of Madrabawn"
by
Eddie Stack
The nine
o' clock news was over and Mrs. Keogh switched off the radio before the sports
results were read.
“No news,”
she said quietly and glanced at her lone lodger, Spoke Whelan.
“No
mention,” he said, neatly folding a newspaper by the fire, “And the winners
were to be announced last week, what ever is the delay.”
She put a
shovel of coal in the range and
ventured,
“But then
again, they say that no news is good
news.”
“No news
is good news,” repeated Spoke in a whisper tainted with despair.
“But maybe
the judges in Dublin haven't tested the
inventions yet.”
“Dublin is
Ireland.”
Mrs Keogh
nodded in sympathetic agreement and turned away to boil the kettle. She felt
responsible for his angst. He wouldn't have entered the Inventor of the Year
competition if she hadn't suggested it. Not that she thought he had a chance of
winning, she just wanted to get the invention out of the house.
Spoke had
lodged with Mrs. Keogh for nearly fifteen years and worked in the shop at the front
of the house, where her late husband had sold paint and wallpaper. Though
technically a bicycle mechanic, he was easily lured into other fields of
technology when people took their troubles to him. He hadn't the heart to ever
refuse a job, no matter how complicated or alien it might be. During surgery,
it might dawn on him how something could function better and from the chaos
came totally new inventions. Hair dryers became egg cookers; washing machines
turned into jukeboxes; vacuum cleaners rebirthed as paint sprayers. Often
customers were not satisfied with his transformations and cat-fights erupted in
the workshop. Mrs. Keogh wished he'd stick with simple bicycles.
The
invention he entered in the Department of Enterprise and Trade competition
disturbed Mrs. Keogh. The brainwave for it came when Spoke wondered 'what if
you crossed a hot water bottle with an electric kettle?'. After a few weeks of research and development, he showed
Mrs. Keogh a leather skinned mattress
filled with water and heated by six electric elements. He encouraged her to sit
on it and she did.
“God but
tis very comfortable,”
“And great
to sleep on,” grinned Spoke, sitting beside her, “Real comfort.”
When he
leaned back a little, the mattress quivered and Mrs. Keogh hopped off like a
sparrow.
“Go aisey
in case you burst it!” she warned.
“What
burst?” he laughed, “you could trot an
ass on this! What burst? Is it coddin' me you are Kitty.”
That was
as familiar as he ever got to her in all those years.
“I'll make
the next wan for you Kitty,” he said, “This is the prototype.”
“The
prototype,” Mrs. Keogh said slowly, disliking the taste of the word.
The
prototype stalked Mrs. Keogh and she
dreamed it turned into a monstrous blob that consumed the house. She woke up
crying for Spoke and was relieved to hear him snoring down the hall. Another
night she dreamed she was tied naked to the prototype and Spoke was walking
around in a white toga, reciting what she thought was a Black Mass. Like help
from Heaven, a few days later she read about the Inventor of the Year competion
in the paper. She showed him the piece and urged,
“Send them
the prototype, it's your best invention yet.”
Mrs. Keogh
got up to brew a pot of tea, but stopped mid-stride, like she had a cramp.
“Do you
know something,” she said hazily, “I had a dream about you last night. It's
only after coming to me now.”
“Is that
so?”
“You were
after discovering something-it was something important because there was a big
crowd around you.”
She stood
by the table and recalled the dream in patches, cutting and pasting it into
sequence. Mrs. Keogh thought Spoke had
discovered a new star. His eyebrows arched.
“It caused
great commotion,” she said with authority, “there was a huge crowd of people
below at Murphy's Corner and you were looking through a long yoke and it was
pointed at the sky over Madrabawn. I s'pose it was some class of an eye-glass
or other-but in the dream it was like wan of these old cannon guns.”
Spoke
nodded: you could indeed see Madrabawn from Murphy's Corner. He smiled and thawed a little. But why the
cannon gun? Spaceships maybe.
“I think
it's a good omen for the invention,” she said.
“Hah-hah-hah,”
he chuckled, scratching the back of his neck, “Anything is possible. Anything
is possible.”
Spoke
wondered about her dream: she had odd ones, but he always felt they meant
something if you could decipher them. He'd read somewhere that you could
interpet dreams by role-playing but usually
Mrs. Keogh's were too complex for that. This one seemed straight forward
enough and he ran through it in his head again. He finished his tea and blessed
himself.
“I'll
ramble down the town and see if there's anything stirrin'-I'll be back in a
while.”
“Do,” she
encouraged, “the walk'll do you good.”
On the way
out he went to the workshop and rooted a large black box from the junk. He
covered it with his overcoat and went down Church Street.
It was a
clear night and every star in the heavens shimmered. The town was still, the
dark grey footpaths brightened here and there by patches of light from public
houses. Cats scrapped in Boland's Lane and a dog barked in a yard. A baby cried
in the bowels of a house and a drunk argued with himself in a dark laneway. The
bell of the Protestant Church pealed ten and Spoke peered up and down the
deserted street before crossing to Murphy's Corner.
In the
shadows of Clare Street, he opened the box and set up an old astronomy
telescope belonging to the late Major Tubelo. He spread the limbs of the tripod
and the steel tips grated on the flag footpath.
Then a metal adjuster slipped from his hand and clanged on the ground.
The noise attracted the attention of Cissy Casey who was getting ready for bed.
She peeped through the curtains and called her husband Dan.
“What's
Spoke doin?” she asked.
“The dirty scut,” hissed Dan, “he's lookin' at
Nono Hogan strip through a spyglass.”
Uaigneas
Gallagher left Wally's bar after playing tunes all night to nobody. Fiddle-case
under his left arm, he eased down Main Street until he spotted the police car
at Murphy's corner. Uaigneas retreated into the shadows and listened to the Law
squabbling with Spoke Whelan. He saw the writhing mechanic being bundled into
the vehicle, his contraption contempestously thrown in the trunk. Gallagher
stood still as the patrol car drove away in a swirl of blue and orange flashes.
When calm
returned, Uaigneas walked across the Square to a long black van, reminiscent of
a hearse with its side windows and solmen forehead. Erased letters on the doors
read: 'U. Gallagher, Undertaker'; Spoke's handiwork. The bicycle mechanic
half-converted the hearse to a passanger carrying wagon when Uaigneas lost his
vocation.
It took a
while for the engine to fire and then Uaigneas let it warm up, revving the
accelerator erratically until the vehicle filled with blue fumes. He awkwardly
turned in the Square before switching on the lights. On the third attempt he
crunched into second gear and slowly climbed uphill to Church Street.
Mrs. Keogh
was setting the table for next morning's breakfast when she heard a vehicle
stop outside. While wondering who it might be, she was jolted by a jabbing ring
of the bell that Spoke had installed.
She opened the door and was surprised to see Uaigneas Gallagher, a
former lodger.
“Good
night, Mrs. Keogh...t'is cool.”
“T'is. But
thank God there's no rain.”
“I'm
afraid Mr. Whelan is in a bit of
bother.”
“Oh? Come
in let you.”
Uaigneas sat at the kitchen table and she made
a pot of tea. He had been drinking, she could smell it. But he hadn't too much
taken. Pouring him a cup of tea she asked,
“And what
word have you about Mr. Whelan?”
“I'm
afraid he got arrested,” Uaigneas said, spooning sugar into his cup.
“Oh Sweet
Jesus!”
For a few
seconds Mrs. Keogh seemed to swoon, wavering the tea pot over his lap. She sat
down slowly and fanned her face with a handkerchief. Uaigneas told of Spoke's
arrest.
“And the
sargent called him a pervert.”
The word
reminded her of the prototype.
“He'll be
the talk of the country,” she whispered.
Uaigneas
looked around the kitchen and noticed it had been painted since he was last in
the house. There was a picture of the new Pope over the radio and two black and
white porceline dogs on the dresser.
“The place
is lookin' smashin',” he said.
“You
haven't been here for a long time, sure. Not since yourself and Mr. Whelan fell
out.”
“He can be
very cranky.”
“That's
the brains, he's rotting with brains.”
“Do you
think he knew about the arrangement?”
Mrs. Keogh
didn't expect the question and ruffled in her chair. She looked at Uaigneas,
looked at the fire.
“He never
mentioned it,” she muttered, “will...will you have another drop of tea?”
Uaigneas
passed his cup. The tea was strong and bitter and he only sipped it. Mrs Keogh
fanned herself with the hankerchief again, she was warm and her clothes felt
tight. It was years since they had an arrangement, years since she let him
share her bed. Years since Spoke and himself fell-out over the conversation of
the hearse. Uaigneas claimed the job was
botched and Spoke threatened him with an electric branding iron. Mrs. Keogh was
upset when he left her lodgings: he had been a good counter-weight to Spoke and
the arrangement suited her. On a practical level, he was always late with the
rent and months in arrears when he bailed. He mailed her back the door
key, wrapped in a five-pound note.
“You know,
it's funny that you called. I was only dreaming about you last night.”
“Really?”
“You were
playing the fiddle...right here in the kitchen...there was a crowd of people
here and some big wigs with televison
cameras and everything. I think you were famous.”
He made no
comment and she wondered if she'd told him that dream before sometime. He was
looking at the clock over the fireplace, an anguished twist on his face.
“It's
getting late,” she said, “maybe you should stay the night rather than driving
back to Madrabawn.”
“I suppose
it might be better.”
“And you could park the hearse in the back lane.
It's not a great sign to see one outside a house in the morning.”
While he
moved the vehicle, Mrs. Keogh filled two hot water bottles and gave thanks to Saint Martin. She sprinkled the
bedroom with rose-water and hid her dream-book in the bottom of the nightstand.
End of Guest Post
Author Bio
Eddie Stack has received several accolades for his fiction, including an American Small Press of the Year Award, and a Top 100 Irish American Award. Recognized as an outstanding short story writer, he is the author of four books —The West; Out of the Blue; HEADS and Simple Twist of Fate.
A natural storyteller, Eddie has recorded spoken word versions of his work, with music by Martin Hayes and Dennis Cahill. In 2010, he integrated spoken word and printed work with art, music and song to produce an iPhone app of The West; this was the first iPhone app of Irish fiction.
I offer my greatest thanks to Eddie Stack for his tremendous generosity
Mel u.
His work has appeared in literary reviews and anthologies worldwide, including Fiction, Confrontation, Whispers & Shouts, Southwords and Criterion; State of the Art: Stories from New Irish Writers; Irish Christmas Stories, The Clare Anthology and Fiction in the Classroom.
A natural storyteller, Eddie has recorded spoken word versions of his work, with music by Martin Hayes and Dennis Cahill. In 2010, he integrated spoken word and printed work with art, music and song to produce an iPhone app of The West; this was the first iPhone app of Irish fiction.
This story is the sole property of the author and is protected under international copyright laws and cannot be published or posted online with out his approval.
Mel u.
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