Farah Ahamed on The Reading Life- includes links to her stories
"One of Us" - On Two Serious Ladies
"“And she’s Yemoja,” Fatima said. “West African goddess of power and destruction, made from malachite. She weighs a tonne; I wouldn’t try and lift her if I were you.” She laughed. How like a miniature she was, with regular features, soft, smooth skin, a small nose and bulging eyes. Her lips looked like they’d been carved and her eyebrows as if they’d been painted on. I dropped my hand.
“They keep us busy,” she said. “You wouldn’t think it, but they need constant looking after.” She pointed to an oriental figure of a half-naked woman sitting cross legged holding a flute to her lips. “Look at her, our female Buddha. She’s hand carved from ivory. Notice the intricate calligraphy and jewelry on her skirt and headdress.”
“Where did you find them?” I asked.
“In different places,” replied Rashid. “But we know instantly when we see them if they’re one of us.” He smoothed Cleopatra’s head. “Aren’t they intriguing? Each one is exceptional.” “With a special meaning for us,” Fatima said. Using both hands she lifted a figure from the stool. “See Pannie, our satyress made of cement.” Holding it in one hand, with her other, she rotated its head making a terrible grinding sound. She turned it upside down and blew inside the hollow cavity. A cloud of dust flew out. “Sorry, honey Pannie.” She tweaked its jagged horns, and ran her fore finger lightly over its open, sneering mouth where its tongue curled back convulsively. I looked away, but she drew me back when she said, “Rashid tells me the two of you are thinking of moving in together.”
I decided to begin my fourth post on a short story by Farah Ahamed, "One of Us" with a rather longish quote so you can see for yourself her exquisite styling. This is a very interestingly deeply disturbing work. We see in it how in a few pages a skilled artist can create years of relationships. The setting of the story is not spelled out. There are three on stage human characters.
Simran, the narrator, is making her first visit to the home her lover shares with his sister Fatima. The room in which Simran is received is filled with small statues. The sister shows Simran inherited from their father statues of Cleopatra, Fatima calls her "Cleo" and Ptolemy. Both sister and brother are deeply bonded with these and the other artifacts of antiquity, from not just Egypt, Kenya and India. Simran is disturbed or rather disquieted by the very deep triangular bond between her lover, his sister Fatima, and the artifacts.
I want to leave the fascinating denouement untold. I will observe that Fatima has an illness which has denuded her body of hair. Somehow I was brought to mind of the genetic diseases caused by brother/sister inbreeding in the final pharaonic dynasties.
I read this story several times. It is a consummate specimen of the art of the short story. You can read it on the link above. I think this might be my favorite of her stories.
"One of Us" was first published in 2015 on a very interesting website, Two Serious Ladies, the title is taken from a novella by Jane Bowles. I confess I have read much more by her occasional husband Paul but the little by Jane I have read has allowed me to understand her cult like following. There are interesting works on the webpage and intriguing visual art. It appears to be on a hiatus from accepting new work, I hope it is not permanent.
http://www.twoseriousladies.org/
Farah Ahamed is a short fiction writer. Her stories have been published in The Massachusetts Review, Thresholds, Kwani?, The Missing Slate and Out of Print among others. She has been nominated for The Caine and The Pushcart prizes and shortlisted for the SI Leeds Literary Prize, DNA/Out of Print Award, Sunderland Waterstones Award, Asian Writer Award. She was highly commended in the London Short Story Award and joint winner of the inaugural Gerald Kraak Award.
I will post on another of her stories next week.
Mel u
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