And the Show Went On: Cultural Life in Nazi Occupied Paris by Alan Riding - 2010 - 433 Pages - A Paris in July 2024 Work

 Paris in July 2024

Paris in July does not just include books. Contributions on your Paris vacation, your favourite meal or restaurant, French movies, music, art and more are very welcome.  

Works I have so far featured for Paris in July 2024

1. The Paris Library by Janet Skeslien Charles

2. A Waiter in Paris: Adventures in the Dark Heart of the City by Edward Chisholm -2022- 

3. And The Show Went On: Cultural Life in Nazi Occupied Paris by Alan Riding - 2010

And The Show Went On: Cultural Life in Nazi Occupied Paris by Alan Riding is a very comprehensive account of how all aspects of the arts and those involved in them were impacted by German domination of Paris during World War II.  Parisians had a wide range of responses.  Some were active supporters of fasicism, others figured Nazi domination was permanent and just thought it prudent to go along while others actively resisted, sacrificing their lives to oppose the Nazis,

"The book shows that there was no black and white when it came to resisting and collaborating. Riding is not unsympathetic to collabos. Instead, he traces how they came to be by painting an elaborate picture of the terror of the German invasion, the collapse of French morale following the first world war, the immense humiliation and fear of a defeated population. There are sections, too, on the rise of fascist writers like Pierre Drieu La Rochelle (who called for a pure-blooded France, free of Jews, liberals and gypsies) and the background of Charles Maurras, founder of the rightwing Action Française, which became especially virulent when the Jewish liberal Léon Blum became prime minister in 1936.

And what of the artists themselves, the ones who simply wanted to get on with their work, and not be bothered with politics? After the war Sartre said that writers and artists had a duty to tell their countrymen "not to be ruled by Germans". But there were still plenty who boarded trains to Munich and Berlin with bright smiles for solidarity tours of Germany. We all say we would never have done it. No one wanted to be a Maurice Chevalier or Sacha Guitry singing their hearts out or writing plays for Germans, but Riding points out that even these scorned men were not exactly collabos. They also helped Jewish friends while hanging out with the high-ranking Germans in charge of the cultural world. After all, Riding writes, the Germans had champagne and food and wonderful parties while many Parisians were living on onions and freezing from lack of coal.

Some artists, such as Édith Piaf, also went to Germany or consorted with Germans as a means to an end – to get French prisoners of wars freed in exchange for their presence on German soil. Others did so out of fear, or plain survival: most were sure that there would be a German victory and they wanted to ensure that they would be able to carry on their life's work.

And the Show Went On is a much larger history than its title suggests. It is about cultural life in Paris, but it is also a book about society and politics in the years leading up to the war. Riding takes on an immense topic and succeeds in demonstrating that even through war and sorrow and misery, art was created, books were written and, in the worse moments of destruction, there was also creation." From The Guardian 

I cannot imagine there being a better book on the topic than that of Alan Riding.

For 12 years, Alan Riding was the European cultural correspondent for the New York Times. He was previously bureau chief for the Times in Paris, Madrid, Rio de Janeiro, and Mexico City. Riding is the author of And the Show Went On and Distant Neighbors: A Portrait of the Mexicans. He lives in Paris with his wife, Marlise Simons, a writer for the Times.