Showing posts with label Robert Higgins. Show all posts
Showing posts with label Robert Higgins. Show all posts

Friday, March 15, 2013

"Cowshed" by Robert Higgins -A Short Story



March 1 to March 31

"Cowshed" a short story by 
Robert Higgins



I first became familiar with the work of Robert Higgins when I read two of his short stories in the anthology "Abandoned Darlings".  I really liked both of his stories (you can read my post on them here) and was very happy when he agreed to participate in a Q and S Session for ISSM3.  (You can read his very interesting carefully thought out answers here.)   Today I am very proud that Robert Higgins has allowed me to publish one of his short stories. 

Author Data


Robert Higgins is 23 years old and originally from Co. Longford.
In 2010, his short story ‘The Cowshed’ was long listed for the Fish Short Story Prize.
In 2011, his full length play ‘New Love Grows on Trees’ was shortlisted for the New Voices Platform.
In 2012, he completed the MA in Writing at NUI Galway. His One Act play ‘Newborn’ was part of the Jerome Hynes Awards and toured to ISDA fringe in Dublin. His play ‘Getting the Cure’ was part of the Galway Fringe Festival and also played the Muscailt Festival and Corcadorca’s Festival Nights as part of Cork’s Midsummer Festival. His short stories ‘Copper’ and ‘Fall’ appeared in the MA’s Abandoned Darlings collection.
In 2013, his stories ‘Copper’ and ‘Fall’ appeared on RTE Radio One’s Arena to which he also contributed an interview. He came second in Doire Press’ annual chapbook competition. His story ‘The Cowshed’ was published in the Reading Life.  ‘Copper’ is set to appear in a forthcoming anthology by Doire Press. His story ‘An Adolescent’s Guide to Playing it Cool’ is set to appear in the forthcoming Ropes literary journal. His short film script of ‘Copper’ is currently in development with Tree Light Pictures.
He currently lives in Dublin where he is finishing his novel ‘A Town of Tiny Lights’ and short story collection ‘That’s Where You’re Wrong’.



"The Cowshed"
by 
Robert Higgins



‘The Cowshed’

One frosty November morning, Tom Creegan lay beneath his white linen bed sheets with reels of the past running through his mind. He was brought back to the present, as he was every morning, when his clock struck the hour and let out its familiar pitch. He opened his eyes and winced at the cold winter that greeted him from his windowsill. He was tired and would have happily have sat with his thoughts for another few hours, but there was work to be done, animals to be fed and he knew well there was no one else who was likely to do it. He pulled the covers back and slowly rose. He left his sheets as they were. Tom didn’t believe in making beds. He felt that making beds was only for presentation. It had been twenty years since someone had been in his bedroom. In the kitchen, he cracked a few eggs into the pan and sat listening to Shannon Side on the radio as the old kettle whistled in the background.

Outside, the sun still hadn’t risen and a thin layer of frost that covered the land. Shivering slightly, he set about the jobs that had become second nature to him. He had started these rituals a young man, full of enterprise and hope, and had undertaken the tasks with vigour and enthusiasm. But he was old now. His back ached since his fall and it took him twice as long to do everything. He was ready for sleep.

In the afternoon, when he’d finished most of the day’s work, he strolled up the familiar lane that wound its way through the five acres that his father had left him. When he reached the iron gate at the entrance he turned around to survey his land. It still looked beautiful, even if the farm wasn’t what it used to be. He thought back to the day they had moved there, not long after his father’s funeral. How excited he and Maura had been and how they had gotten drunk on whiskey that night and chased each other around the house and made love. It was hard to imagine that it had been forty years ago. He stood there for a long while, lost in thoughts of the past and what he wished the past could have been, ignoring the cold that was biting at his cheeks.

There was plenty more to be done around the farm, there always was, but Tom decided that he would walk into town for a pint in Daly’s. It was three kilometres into town but he decided to walk it so that he could take in the frozen scenery one more time.

Daly’s was located right in the middle of town, but despite this, it was always empty except for the three or four regulars who ensured that it didn’t close down. Tom was often found sitting on one of their high stools in the early evenings. When he walked through the door, Tom was greeted by Gerry McGovern. Gerry was a mean man when drunk and still not the best sort when he was sober. Tom found him somewhere in between. He had been up until this point drinking on his own.

“Tom, how are things?” he asked, sipping his pint of Smithwicks.
“Not too bad now, Gerry. Yourself?”
“Ah, sure can’t complain now.”
Gerry’s appearance seemed to hint at the contrary. His face was blotched and red from years of drink. The barman was a nineteen-year-old boy named Pat, the son of the owner, and Tom ordered a pint of Guinness along with a short of Jameson. He watched the young man slowly pull a fine pint. This surprised Tom as he was very particular about his Guinness. He talked with Gerry for a while about the minors’ chances in the championship and the local mechanic Frank O’Brien who had been being unfaithful to his wife.
“In fairness to him, I’d do the same. She was a fine bit of stuff so she was,” Gerry said chuckling to himself. Tom only smiled back politely.
“Those were the good old days, eh Tom? Out chancing any woman that would have ya.”

After another pint, Tom announced that he had to go. Gerry was adamant that he would stay and even offered to buy him a pint but Tom assured him that he had work that needed to be done and that he would be back in later that evening. He could sense the menace rising in Gerry and knew there would be trouble soon. He pulled on his coat and his hat, tipped down the end of his pint and left fully believing that he had just finished his final drink in Daly’s.

The sky was grey and dreary when Tom got outside even though it was only 5 PM. He was feeling almost peaceful at this point. It was always nice talking to people. It had been a pleasant day, a good note to leave things on he thought.
When he arrived home, he wasted little time. He had made up his mind and at this stage just wanted to get it over with. He went into the house and gathered everything that he needed: the length of rope and the stool that he sat on every morning while eating his breakfast and every evening when taking his tea. He walked straight to the cowshed, towards the back, ignoring the loud moos of the cows. He was prepared and had tested which bar would be able to hold his weight. He made a knot quickly, his breathing growing faster, not wanting to lose his nerve. He threw the rope over the bar and tightened it, making sure it would hold. It would. This was it. He looked around suddenly in a moment of strange awareness. He was actually going through with it. He had not written a note as he felt there was no one he needed to address directly. They would understand he felt. He was ready; there was nothing to hold him back now. He stepped on the stool nervously, shaking, unsure of what he was about to do. He let the noose around his neck and felt the rough rope against his skin.
“Don’t do it!” a voice shouted.

The shock of hearing these words nearly caused Tom to fall from the stool but he just about managed to keep his balance.
“Who’s there? Who said that?” he shouted, his voice echoing through the shed. There was no reply. Tom stepped down from the stool.
“Show yourself!” he shouted again, his voice trembling slightly. There was still no reply. He picked up a nearby shovel and held it over his shoulder in a manner that would allow him to defend himself. His mind was temporarily distracted from what he had been doing and was now focused on the defence of his homestead.
“Come out now or I’ll take your head off!” he said, refusing to allow his voice to betray any sound of fear.
Tom heard some rustling and realised the intruder was going to reveal himself. He kept the shovel cocked in defence.
“Please don’t hurt me,” said the voice and it became clear to Tom that the voice belonged to a child. The boy, who could not have been older than twelve years old made his way out into clear view from behind the wall, both hands held above his head.

“What are you doing on my land?” Tom barked, feeling an unusual mixture of relief and annoyance.
“I’m sorry,” the boy offered in the tone of a scolded schoolboy. Tom stared at him. He seemed familiar, one of the boys from town he reckoned.
“That’s not answering my question. What are you doing on my land?” Tom asked again. The boy was clearly scared but Tom, still embarrassed from the situation the boy had found him in, was not inclined to show mercy.
“Well, go on spit it out,” he said again. The boy looked down at the ground and began to cry quietly, hurriedly trying to wipe the tears away before they could even form.
“I’ve run away from home. I was only gonna stay in the shed for one night. I’m sorry. I didn’t mean any harm.”
The tears were streaming down his cheeks now and Tom found sympathy replacing the anger that had gripped him. He noticed that the boy was wearing only a tracksuit and surely must be freezing in the conditions.
“There’s no need to cry now, I was just shocked is all,” Tom said gruffly. The two of them stood there a moment looking at the ground, vaguely embarrassed, the sound of the boy’s sniffles the only thing punctuating the silence. Eventually Tom broke it.
“You must be frozen. Do you want to come in for some tea?”

In the warmth of the house as evening crept in, Tom fried some bacon in a sizzling pan while the boy sat at the table trying not to look around too much.
“So what is your name if you don’t mind me asking?” said Tom as he placed a mug of tea on the table in front of the boy.
“Liam,” the boy answered gulping from his mug. Tom nodded slowly in familiarity but did not turn from the cooker.
“What’s your name?” he asked chirpily. He had been put at ease by Tom’s invitation into his home and was now unrecognisable from the boy who had been weeping in the shed minutes earlier.
“Tom is my name,” he replied as he carried the plate of bacon over and laid it in the middle of the table. Liam wasted little time and had already buttered two slices of bread anticipating the meat.
“You’re hungry anyway,” Tom observed and Liam nodded between bites of his sandwich.
“I haven’t eaten since I ran away this morning.”
Tom made the tea and let it to brew for a minute.
“If you don’t mind me asking,” Tom began, “did you really plan on sleeping in that shed in this weather?”
Liam seemed nonplussed.
“Yeah, well I thought I’d just pull some hay over me and I’d be grand.”
Tom couldn’t help but smile at his innocence.
“And where do you plan on going after that, you picked a bad month for running away, that’s for sure.”
“Sure wherever the road takes me. I might try get over to England.”
“Do you have money for the ferry?”
“I’m sure I’ll find some way or other,” he said without a hint of irony. “Is it only you that lives here?” he asked, still chewing.
“Yes just me.”
“Do you not have any children or a wife or anything?”
“No, no children. I was married but she passed away.”
Liam simply nodded as if they were discussing something as trivial as football scores, offering Tom none of the reverence he was usually afforded when people heard of his deceased wife. Tom was glad of it in a way.
“So what is it that has you wanting to go all the way over to England?” Tom inquired.
“I did something awful.”
“Are you sure it’s as bad as you think it is? When you’re young a lot of things you think will be the end of the world turn out to be nothing, you know?”
“No, I’m sure what I did was awful, it’s so awful they’ll put me in prison if they catch me.”
“Surely not, you don’t seem to be the criminal type.”
“I didn’t think I was but I surprised myself.”
“Well, tell me. What is this awful thing that you’ve done?” Tom asked and Liam looked back at him as if he was working out in his head whether to trust Tom. He finally spoke.
“I killed my father.”
“What?!”
Tom stared at him in disbelief.
“I told you it was awful.”
“You’re lying!”
“I’m not!”
“Why did you kill your father?”
“It was an accident. I didn’t mean to kill him; I only meant to shoot him.”
Tom went silent for a moment, his breath taken from him.
“You’re going to turn me in now aren’t you?”
Tom stared at this boy who claimed to be a murderer.
“I won’t.”
“You won’t? Really?”
“Well it depends, why did you shoot him?”
“Well, he’s always drunk and when he’s drunk he hits me. Look what he did to me last night,” he said, pulling up the sleeve of his tracksuit to expose a deep purple bruise on his bicep. “So this morning when he woke up I took the gun that he keeps in the wardrobe and I pointed it at him while he was lying in bed and told him that if he didn’t stop drinking that I was going to shoot him.”
“And he refused?”
“Well he didn’t refuse, he just came charging at me cursing and then I shot him.”
“And this all happened this morning?”
“Yes.”
“And you’re sure he’s dead?”
“Yes.”
Liam’s voice was shaky. He couldn’t believe that this old man could be so calm when he had just confessed to a murder. The two sat in an uncomfortable silence for a few moments until Liam couldn’t take it anymore.
“Why aren’t you calling the guards on me?” he asked desperately.
“Well, it seems you had reason.”
“Do you want me to leave?”
“No, no you can stay until the morning. Can’t have you sleeping out in that frost. You can stay in the spare bed. Come now and I’ll show you where it is.”
Tom stood up and Liam followed behind, confused by this stranger’s charity. They went up the creaky old stairs. Liam recognised the damp musty smell familiar to him from his visits to his Grandfather’s house. When they came to the top of the stairs there hung a framed picture of a smiling woman in her forties, pretty with brown hair.
“Is that your Mother?” Liam asked pointing at the picture.
“No,” said Liam. “That’s my wife. That was her a long time ago.”
Liam paused a moment and looked at the picture.
“How did she die?” he asked quietly.
“Well, she got sick is what it was.” Tom said shortly.
Liam nodded and said simply, “She looks like she was nice.” Tom couldn’t help but smile. They continued down the hall to the spare room.
“It’s not much but it’s better than the shed anyway. I can get you a hot water bottle if you’d like?” Tom offered.
“No I’m fine.”
“Well, goodnight then.”
“Goodnight. Thanks.”
Tom closed the door gently and the last beams of light disappeared from the room. He walked slowly into the silence of his own bedroom. He caught sight of his reflection in the mirror and paused for a moment. He picked up the telephone and dialled.

When Tom opened his eyes the next morning he was surprised to see Liam sitting on the end of his bed. He nearly jumped in shock.
“Sorry it’s just me,” Liam said quietly.
“Liam, what are you doing in here?” Tom asked rubbing the sleep from his eyes.
“I’m sorry, Tom but I have a confession to make. I lied about something yesterday and I feel bad after you being so nice and all,” he began. Tom sat up to hear what the boy had to say.
“I didn’t really kill my father.”
Tom looked at him sympathetically, aware of the guilt the boy must have felt.
“I know. It’s okay Liam. I knew all along,”
Liam stared at him in disbelief.
“How did you know?”
“You’re Gerry McGovern’s son, aren’t you?”
“Yes.”
“Well, I saw him drinking in Daly’s yesterday afternoon so, unless someone had brought him back from the dead, I reckoned you were making it up.”
Liam shook his head slowly.
“But how did you know who I was?” he asked, still confused.
“It’s only a small town, Liam. I’ve heard your father talk about you before. I want to ask you a question though. Why would you lie about killing your father?”
Liam stared at the ground as if hoping that an answer might materialise there.
“Because sometimes that’s what I feel like doing ...” was all that he could offer.
“I also have a confession to make, Liam. I did call the guards after all last night but it wasn’t on you. It was on your father.”
“What will they do to him?” Liam asked quickly.
“They’ll try to make sure that he doesn’t hurt you again.”
Liam frowned before saying, “Good.”
“Come on downstairs now and we’ll get some breakfast and then I’ll drop you home to your Mam.”

The drive into town was very slow as there was thick ice still on the road. Any hint of a brake would send the jeep skidding. Tom hated driving in this weather. Liam stared straight ahead for most of the drive; he had been a bit shaken by all that had happened over the last day. Eventually he summoned the nerve to ask the question that had been on his mind.
“Would you have killed yourself if I hadn’t come along yesterday?” he asked cautiously.
Tom took a deep breath. He wasn’t sure how to respond, though he knew the answer. He knew that had it not been for Liam he would have gone through with it. He would have never had the previous day’s experiences, and the small joy helping the boy had brought him.
“We all have our bad days. I had just had too many in a row. But yesterday was a good day and I feel much better now.”
Liam nodded.
“You won’t go trying it again as soon as you leave me home will you?”
“No, I won’t, I promise,” Tom said smiling weakly. “Do you mind if we keep this between us though? I don’t want people worrying.”
“I promise,” Liam said, nodding.
Soon they were outside Liam’s mother’s house and the time had come to say goodbye.
“Thanks for the place to stay, Tom.”
“Thank you too, Liam,” Tom said with a smile.
Liam got out of the car and walked up the driveway and into the house.
On the drive home, Tom felt happy, as if he’d made a difference for the first time in years. He drove off into the icy horiizon, slowly, smiling.


End of Guest Post


"Cowshed" is protected under international copyright laws and cannot be published or posted online with out the permission of the author.


Again I offer my great thanks to Robert Higgins for allowing me to post this great story.

You can learn more about his work on his blog.


I hope the day is not to far off when I can post on a collection of the short stories of Robert Higgins.  I am confident that if he wants to be back for ISSW4 next year, God Willing, then he will be.


Mel u

Wednesday, March 13, 2013

Robert Higgins Question and Answer Session with the Author of "Cooper" and "Fall"


March 1 to March 31

Question and Answer Session with Robert Higgins
author of "Fall" and "Cooper"

Late last year I read and posted on all of the short stories in  Abandoned Darlings, edited by Maya Cannon (2012), an anthology of short stories and poetry by the MA in writing class at National University of Ireland at Galway.  Among my very favorite stories in the collection were two works by Robert Higgins, "Fall" and Cooper".  Here is part of what I said about the work of Higgins in my post on his work:

"Robert Higgins seems to me a writer of extreme talent who was able to create two very well developed worlds in his stories in the collection.  Both deal with young people in very difficult situations, situations made worse by drinking.   Declan Kiberd in his great book, Inventing Ireland:  The Literature of the Modern Nation, says one of the core themes of Irish literature is the consequences of the weakness or absence of the father in modern Irish society and both of Higgins' stories directly face this issue without blinking."

Author Data

Author Data (from Abandoned Darlings)

Robert Higgins is from Granard, County Longford, Ireland and moved to Galway after completing his secondary education.    He has long had a passion for writing and 2011 decided he wanted to devote himself fully to writing and began the MA in writing program at National University of Ireland at Galway.

You can learn more about Robert Higgins on his blog

My post on his work is here


"Fall" deals directly with the issue of the consequences to the lives of children brought about by  a weak father.   In this story there are two central characters, a young man, mid-teens I guess and his father.   The man's wife died not to long ago and the man never recovered.   Heavy use of alcohol plays a big part in this story, just like it does in "Copper".  One day the boy comes home and sees his father has blood on his head.  Of course the boy says "what happened" and the man tells him he thinks maybe he had a stroke and he fell over.   Alarmed the boy drags him to the doctor.   I will not spoil this deeply moving story for first time readers but it will for sure make you think, especially if there is any history of drinking as a way of coping with grief in your past or family.

Of his two stories, if I had to pick a favorite, it would be "Cooper".  This story is told in the first person by a young woman who is in a relationship with the worse kind of man, a thief, a drunk, a drug user who abuses her and puts his friends above her. She left her mother's home to live with him and she has not seen her mother in a year.   Chicken and his mate make their money by going into vacant houses and buildings and stealing all the copper wiring so they can sell it.    Higgins does a great job of letting us be there for the robbery.   There is a lot of plot action in this wonderful story.  The girl reunites with her mother and she does something big at the end and we are left hoping for the best for her.   There is a great feeling of sadness hanging over this poignant story.


I was very happy Robert Higgins has agreed to do a Question and Answer Session for Irish Short Story Month Year III.  He has also sent me a short story which I  will publish shortly.  



Q. Who are some of the contemporary short story writers you admire? If you had to say, who do you regard as the three best ever short story writers?


A. My favourite contemporary short story writers would probably be Junot Diaz and Kevin Barry. I enjoy Diaz for the rhythm of his prose and how he combines literary and urban sensibility. Kevin Barry’s stories are just fantastically entertaining and beautifully written. I don’t think I’m well read enough at this point to say who the best ever are, but some older short story writers I admire would be James Joyce, Raymond Carver and Denis Johnson.  

Q. I have read lots of Indian and American short stories in addition to Irish, and alcohol plays a much bigger part in the Irish stories. How should an outsider take this and what does it say about Irish culture?


A. I think that alcohol plays a greater role in Irish stories as it is so prevalent in our society. I often don’t realise that I’ve written a story that comments on alcohol until someone else says it to me when they have read it. It really permeates most aspects of Irish life so it’s kind of natural that it is found in its stories.

Q. When did you start writing?


A. I started writing seriously the week that I turned nineteen. I had always thought about it and entertained the idea and just decided to make a start on it. I was able to get into a routine of hitting a certain number of words a day and kept with it. I always wrote a little bit but it’s since then that I’ve been writing with a view to completing my pieces and publication.

Q.  I sometimes wonder why such a disproportionate amount of literature of the world, that is regarded as great, is written in the colder temperate zones rather than in the tropics. How big a factor do you think the Irish weather is in shaping the literary output of its writers? I cannot imagine The Brothers Karamazov being written on a tropical island, for example.


A. I’m not quite sure. We have a lot more time sitting inside, that’s for sure. I spent three months living in California and I barely wrote at all because I was enjoying the weather so much so there might be something to that. Dreary weather might also breed a reflective mind state that helps with the writing. I couldn’t say for sure.




Q. Who do you regard as the first modern Irish short story writer?   


A. Joyce seems to have set the template that a great number of writers seem to have followed with the idea of epiphany in their stories. I suppose he could be considered the first modern Irish short story writer in that respect.

Q.  Why have the Irish produced such a disproportionate to their population number of great writers?


A. It’s a bit of mystery. I suppose the rich heritage pulls in the newer generations who are hoping to be part of the lineage. I don’t know who got the ball rolling but it certainly is very interesting to look at the number of great writers such a small island has produced.  

Q.   (Ok this may seem like a silly question but I pose it anyway)-do you believe in Fairies?-this quote from Declan Kiberd sort of explains why I am asking this:

"One 1916 veteran recalled, in old age, his youthful conviction that the rebellion would “put an end to the rule of the fairies in Ireland”. In this it was notably unsuccessful: during the 1920s, a young student named Samuel Beckett reported seeing a fairy-man in the New Square of Trinity College Dublin; and two decades later a Galway woman, when asked by an American anthropologist whether she really believed in the “little people”, replied with terse sophistication: “I do not, sir – but they’re there."

A.  I wouldn’t say I believe in fairies, however, in my early teens, the spot where we would all hang out was one of the fairy forts in the local area so there might be something to it!

Q.  How important are the famines to the modern Irish psyche?


A. I think the famine still continues to have an effect on the modern Irish psyche. It seems to me that it was around the time of the famine that religion took its central role in Irish identity. We still haven’t shaken that completely. It also brought up the issue of emigration which is again one of the most important issues in Ireland today since the economic recession.

Q.  Does the character of the "stage Irishman" live on still in the heavy drinking, violent, on the dole characters one finds in many contemporary Irish novels?


A. It does to some degree, but I think that it’s a stick used to beat some writers. Sometimes you want to write about a drunken eejit or someone who is a bit of a fool without getting accused of reverting to the “stage Irish” thing. I do think we are moving away from it all the time with the literature being produced.

Q.  Do you think poets have a social role to play in contemporary Ireland or are they pure artists writing for themselves and a few peers?


A. They have a freedom and lack of constraints that those working in the media couldn’t dream of. They can comment freely and have the skills to do so. I think that’s very important to have people in any society.

Q.   Where is the best place in Galway and Dublin to get a real Irish breakfast?  Fish and Chips and Irish Stew?




A. There are a fair few for places for the breakfast, I used to go to Garvey’s on Eyre Square in the summer the odd time.  McDonagh’s down by the Spanish Arch is hands down for the fish and chips anyway. I only go for the homemade stew myself.

Q.  The literary productivity of Galway is incredible. What is there about Galway's social climate that produces this?


A. There is a great vibrancy about the place. It seems to have a very high artist to person ratio. I think being around people who write is a great motivator and can really help you keep focused on your work. I suppose the feeling of community helps breed the work.

Q.  Do you prefer e-reading or traditional books?


A. I much prefer traditional books. I was given a Kindle for Christmas two years ago and I only made through one or two books on it. E-reading can be handy and there is less waiting to get books but I really enjoy being able to physically hold a book and also swap books back and forth with my friends.

Q. If you could time travel for 30 days (and be rich and safe) where would you go and why?


A. I would love to travel either Asia or South America as they are two parts of the world that I’m quite unfamiliar with. I’m looking at possible destinations for next year so one of these might be on the cards. I just have to figure out the money and the safety issues first.

Q.  The Aran Islands - must see authentic experience or just for the tourists?


A. I would recommend it .I haven’t been there in a few years, but I had a great time when I was out there. I was meant to go over last summer with a few of my friends but we ended up missing the ferry and had to camp in Connemara instead. I’m eager to go back when I get the time.

Q. Best Literary Festival you have so far attended?


A. I always enjoy the Cúirt literary festival in Galway a great deal. They always seem to attract a very high standard of writers and events. It is well worth checking out.

Q.   Flash Fiction - how driven is the popularity of this form by social media like Twitter and its word limits?


A. I think that has something to do with it. I think since the internet has taken such a prominent role in our lives, we don’t have the attention span that we once did. I feel that’s why short stories seem to be more popular these days also. I think that flash fiction is an extension of that. .

Q.  Best place to hear traditional music in Galway or Dublin? Best book store, best literary tourist experience, best "real people's" restaurant?


A. The Crane Bar in Galway is great for traditional music. Charlie Byre’s would be my favourite book shop. For best tourist experience I would recommend just going out to Connemara for a wander. My student budget didn’t allow me to sample too much of Galway’s cuisine so I’ll just say McDonagh’s which is affordable and good quality.



I offer my great thanks to Robert Higgins for taking the time to complete the questions, for his very insightful answers and for sending me a short story (coming soon). I hope to follow his writing career and for sure would be happy to follow up with him during ISSM4 next March (God willing).







Tuesday, December 18, 2012

Two Short Stories by Robert Higgins from Abandoned Darlings

"Copper" (2012, 5 pages)
"Fall"  (2012, 5 pages)

A Reading Life Project




A Collection of Poetry and Prose from the 2011-2012
National University of Ireland at Galway MA in Writing Class
Edited by Maya Cannon

/
Robert Higgins

Not long ago I read and posted on all of the short stories in 30 Under 30:  A Selection of Short Stories by Thirty Young Irish Writers edited by Elizabeth Reapy.  One of the very big benefits to me, aside from the pleasure of reading some great stories, is that it created a base of young Irish writers whose careers I could begin to follow.    My thinking was if this is done for a relatively long time you could develop a sense of the way modern Irish literary culture works and I could see how writers develop themselves or how they abandon their craft.   

Abandoned Darlings, edited by Maya Cannon (2012) is an anthology of short stories and poetry by the MA in writing class at National University of Ireland at Galway.  I have never been to Galway but I know for a city of under 100,000 people it has produced more great writers than many a city with over five million people.  You can find  countries with a population of over 100,000,000 million whose literary output would be put to shame by Galway writers.  I will review and post one at a time on all of the short stories in the collection, fourteen in my quick count.  I do not especially like posts on anthologies of short stories that just rave on about them in general.  When I visit a forest I do not just like to see the trees, I like to see the moss that grows on them, the vines that climb them and listen to the birds that make them their home.
There are lots of poems in the collection, I have already read several.  I liked them all.  I have posted on collections of Eastern European poetry but generally speaking I do see much point in posting on short poems one at a time.   The only poets I have read extensively are Yeats and Whitman.   I will thus be posting only on the short stories in the collection.  

Robert Higgins seems to me a writer of extreme talent who was able to create two very well developed worlds in his stories in the collection.  Both deal with young people in very difficult situations, situations made worse by drinking.   Declan Kiberd in his great book, Inventing Ireland:  The Literature of the Modern Nation, says one of the core themes of Irish literature is the consequences of the weakness or absence of the father in modern Irish society and both of Higgins' stories directly face this issue without blinking.  

Of his two stories, if I had to pick a favorite, it would be "Cooper".  This story is told in the first person by a young woman, late teen or early twenties it seems, who is in a relationship with the worse kind of man, a thief, a drunk, a drug user who abuses her and puts his friends above her. She left her mother's home to live with him, he goes by the name of "Chicken" and she has not seen her mother in a year.   Chicken and his mate make their money by going into vacant houses and buildings and stealing all the copper wiring so they can sell it.   I imagined people coming home to see all the wiring, even their water heater, stolen from their house!  Higgins does a great job of letting us be there for the robbery.   There is a lot of plot action in this wonderful story.  The girl reunites with her mother and she does something big at the end and we are left hoping for the best for her.   I will not tell more of the plot but Higgins made this very real for me.   There is a great feeling of sadness hanging over this poignant story.

"Fall" deals directly with the issue of the consequences to the lives of children brought about by  a weak father.   In this story there are two central characters, a young man, mid-teens I guess and his father.   The man's wife died not to long ago and the man never recovered.   Like the prior story, heavy use of alcohol plays a big part in this story.  One day the boy comes home and sees his father has blood on his head.  Of course the boy says "what happened" and the man tells him he thinks maybe he had a stroke and he fell over.   Alarmed the boy drags him to the doctor.   I will not spoil this deeply moving story for first time readers but it will for sure make you think, especially if there is any history of drinking as a way of coping with grief in your past or family.

I look forward to reading more work by Robert Higgins.

Author Data (from Abandoned Darlings)

Robert Higgins is from Granard, County Longford, Ireland and moved to Galway after completing his secondary education.    He has long had a passion for writing and 2011 decided he wanted to devote himself fully to writing and began the MA in writing program at NUIG.  

You can learn more about the collection here.  They also have a Facebook page.

I would suggest to all the writers in this collection, and to any aspiring writer, start a webpage or blog so people interested in your work can learn more about you.  

I look forward to reading the short stories in this exciting collection and learn about more very promising writers, like Robert Higgins, whose career I will try to follow, as best I can from the other side of the world.

Mel u

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