Showing posts with label Heinrich von Kleist. Show all posts
Showing posts with label Heinrich von Kleist. Show all posts

Thursday, November 7, 2019

The Marquise of O - A Short Story by Heinrich Von Kleist - 1808 - translated from German 1978 by David Luke


German Literature Month, 2019





Works read so far for German Literature Month, 2019

1. Allmen and The Pink Diamond by Martin Suter, 2011
2. The Marquise of O by Heinrich Von Kleist, 1808

The Marquise of O - A Short Story by Heinrich Von Kliest - 1808 - translated from German 1978 by David Luke

October 18, 1777 - Frankfort, Germany

November 21, 1811 - Berlin,Germany


This is The third time I have posted on a work 
by Heinrich Von Kleist during German Literature Month.  In November 2012 I posted on The Begger Woman of Locorno, during 2017 on The Earth Quake in Chile.  I liked both these stories a lot.Today i am posting on his perhaps most now read work, The Marquise of O.

The opening paragraph sets the stage for the intriguing plot

“IN M—, an important town in northern Italy, the widowed Marquise of O—, a lady of unblemished reputation and the mother of several well-brought-up children, inserted the following announcement in the newspapers: that she had, without knowledge of the cause, come to find herself in a certain situation; that she would like the father of the child she was expecting to disclose his identity to her; and that she was resolved, out of consideration consideration for her family, to marry him. The lady who, under the constraint of unalterable circumstances, had with such boldness taken so strange a step and thus exposed herself to the derision of society, was the daughter of Colonel G—, the Commandant of the citadel at M—. About three years earlier her husband, the Marquis of O—, to whom she was most deeply and tenderly attached, had lost his life in the course of a journey to Paris on family business. At the request of her excellent mother she had, after his death, left the country estate at V—where she had lived hitherto, and had returned with her two children to the house of her father the Commandant. Here she had for the next few years lived a very secluded life, devoted to art and reading, the education of her children.”

As her family estate is being taken over by Russian soldiers, the Russian count in charge of the soldiers stops them from raping the Marquise.  He does continue on to seize the family property as was his military duty.  He soon returns the estate to the father. 

The father is outraged at his daughter, he thinks she is lying and had sex most likely with the Russian count or an unknown person.  He at  first wants her out of the house so she moves to the estate of her late husband.


The Russian count proposes marriage but denies having had sex with her, out of consideration for her family and her honor, to marry him. If they marry, the social code of her time forgets about the outside of marriage sex. first turns this down, saying the barely know him.  He must depart on military matters but the family agrees she will marry no one until he returns and stays with them to allow a mutual love to develop.

The wife places an advertisement in the local newspaper asking the father of her child to come forth. (There is a funny side plot in which a groom claims to be the father.). A response is received saying the father will present himself at family estate at 300 pm  the next day.  The mother of the Marquise makes her father apologize in a very touching scene.  Everyone awaits the arrival,both her father and brother a ready to fight a duel.

The ending is fascinating, showing a lot of psychological depth.

We are left to wonder if the Russian count, of course he is wealthy, is the father and if so did he rape her.

This work, some classify it as a novella, reminded me a lot of shorter set in Italy works by Stendhal. It was fun to read and might have been shocking in 1808.

I read this story in The Marquise of O—AND OTHER STORIES Translated with an Introduction by DAVID LUKE AND NIGEL REEVES, a lovely collection with ten stories.  

Heinrich Von Kleist (1777 to 1811) was a famous poet, perhaps the leading dramatist of German Romanticism, a novelist but is now, I think, most still read outside of academia, for his short stories.  This will be the third year in which I post on one of his stories during German Literature Month.  (I recommend a collection of his short stories, The Marquise of O and other Stories
edited and translated by David Luke and Nigel Reeves.  It includes eight stories, as well as a very informative introduction. Kleist lived a life worthy of a Romantic poet, ending in a suicide pact with a Lady.

If possible i would like to read his novella, The Betrothal in Santo Domingo, set during period of The Hatai slave revolt.

Monday, November 9, 2015

"The Foundling" by Heinrich Von Kleist" - 1803

The Hosts of German Literature Month



Works Read for G L V So Far

1.  Every Man Dies Alone by Hans Fallada. A brilliant recreation of life in Nazi Germany. 

2.  Ostend, Stefan Zweig, Joseph Roth and the Summer Before the End by Volker Weidermann. A fascinating social history 

3.  Buddenbrook Ths Decline of a Family by Thomas Mann.  Must reading 

4.  "The Governess" by Stefan Zweig

5.  Demian:  The Story of Emil Sinclair's Youth by Herman Hesse.  Read the major works first.

6.  The Tanners by Robert Walser.  


7.  The Hotel Years Wandering Between the Wars by Joseph Roth



Last November during German literature month I posted on two short stories by one of Germany's greatest  writers, Heinrich Von Kleist, "Ths Begged Woman of Locarno" and "Saint Cecilia or the Power of Music".   Yesterday I read another of his delightful stories, "The Fugitive".  Set in 16th century Italy, it reminded me very much of some of the short fiction of Stendhal.   

It is a tale of passion, mistaken identity and violent death set in an aristocratic family.  I don't want to spoil the story so I won't tell the much of plot.  The title character was adopted by a rich man as a replacement for his murdered son.   The man falls in love with a much younger woman and marries her.  The woman had been saved from death by a young man and fell in love with him.  He shortly died.  It all,gets very late Renissance drama now.

I enjoyed reading this story.  I have five more of his stories in a collection of his works I have and will hopefully get to them all soon.  I will save one for German Literature Month VI 2016.

Mel ü

Thursday, November 20, 2014

"Saint Cecilia or the Power of Music - A Legend" by Heinrich von Kleist(1810)








The schedule and guidelines for participation are on the event webpage.  Just reading the  posts of all the other participants is tremendously informative. There is an interesting contest or two and some prizes to be won.  One of the tasks participants are charged with is reading a work first published in 2014 and this collection qualifies.  

I am very happy to be once again participating in German Literature Month, hosted by Caroline of Beauty is a Sleeping Cat and Lizzy of Lizzy's Literary Life.   Events like this are one of the great things about being part of the international book blog community.  I know there is a lot of work that goes into a month long event and I offer my thanks to Lizzy and Caroline


Works I have so far read for German Literature Month 2014



1.   Siddhartha by Hermann Hesse

2.   Gertrude by Hermann Hesse 

3.  "Diary of a School Boy" by Robert Walser (no post)

4.  Steppenwolf by Herman Hesse

5.  Burning Secret by Stefan Zweig 1925

6.  Life Goes On by Hans Keilson

7.  Comedy in a Minor Key by Hans Keilson

8.  "The Wall" by Jurek Becker

9.  "Romeo" by Jurek Becker

10.   "The Invisible City" by Jurek Becker.

11.  Wittgenstein's Nephew by Thomas Bernhard

12. "Dostoevsky's Idiot" by Robert Walser

13.  "French Newspapers" by Robert Wasler 

14.  Jakob the Lier by Jurek Becker

15.  The Trial by Franz Kafka 1915

16.  "The Seamstress" by Rainer Maria Rilke  1894

17.  "The Experiement or the Victory of Children" by Unica Zürn 1950

18.  "The Star Above the Forest" by Stefan Zweig. 1924

19.  "Saint Cecilia or the Power of Music" by Heinrich von Kleist 1810

During German Literature Month in November 2012 I posted on an excellant story with occult overtones, "The Begger Woman of Locarno" by Heinrich von Kleist (1777 to 1811, born Franfurt, Germany).  Kleist was primarily a dramatist.  At times he has been considered nearly on a par with Schiller and Goethe.

"Saint Celilia or the Power of Music" begin on Corpus Christi day, in Aachen, Germany. Four Protestant brothers decide it would be great fun to totally trash the cloister housing the nuns and they assemble about 100 other like minded young men who begin throwing rocks trough stained class windows and such.  The nuns urge the abbess to cancel services but she will not.  In another bad omen, the nun who is a master organ player takes sick.

The service starts and just as the mob is ready to destroy the church, the nun takes her place at the organ and plays with more power than ever before.  The rioters are quelled by the majestic music.  

Years later, when the four brothers are never heard from by their family, their mother comes to Aachan looking for them. The chief magistrate recalls four brothers locked up, considered totally insane. To her horror,  the mother finds them in the town mental asylum.  They are sitting at a table, wearing long black robes, in front of a crucifix.  She is horrified.  She finds the brothers have been like this for six years, they never speak but at midnight when they sing Gloria in Excelsis, from the Catholic Mass.

I read this story in a really excellent anthology, Tales of the German Imagination edited, translated and introduced by Peter Wortsman. 


Mel von ü


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