The Woman of Rome by Alberto Moravia (1947)

Lloyd

The Woman of Rome is the second novel by Alberto Moravia (1909 to 1990, Rome) I have so far had the great pleasure of reading.  The first was his Augustino.  I am not really able to say which of the two works I liked best but I do admit seeing Gina Lollobrigida played the lead in The Woman of Rome, a fascist era lady who often strolled the streets looking for customers made me wish I could time travel with a few Lira in my wallet.  

The Woman of Rome is a superb account of how a young girl becomes a prostitute, portrayed without the fantasies of Pretty Woman.  It is very explicit for 1947.  

Adriana lives with her mother in a flat in a poor area of Rome.  Her father deserted them long ago.  Her mother does embroidery work and Adriana helps her.  Adriana at sixteen or so has blossomed into a very voluptuous woman.  Her body is described in detail.  Her mother tells her with her looks she can marry well.  Adriana gets a job modeling nude for an artist.  She feels a sense of shame being naked for the first time in front of a man.  Her mother is glad to have the money and the artist makes no advances on Adriana.  Compressing a lot, Adriana has a girl friend that sees a man for money.  She, after some persuasion, sets up Adriana with a man.  The story is told by Adriana.  She really likes sex and her mother begins to accept her profession so Adriana graduates to street walker and patrolling the normal venues.  She becomes infatuated with various men and men, including an important police official, fall in love with her.  She begins to bring men to her apartment, shared with her mother who accepts her daughters work.  Her real thoughts on marriage is that most women end up a servant to their own family and obliged to have sex with their husband.  Adriana has conflicting wishes.  She wants her own house with a man that loves her but she also wants independence.  Walking the streets is exciting, you never know what the night will bring.  

We get to know the men she meets, her love, and her regular clients.  Italian men come off poorly.  

I found the portrayal of Adriana brilliant.  She is not at all educated though she develops street smarts.  It is also a fascinating account of life in Fascist Italy.  I read it in a translation by Tami Calliope

I endorse this book without reservation.  There are as of now three more of his works translated in English and available as Kindle editions and I hope to read them all. 

Please share your experiences with post 1945 Italian literature with us.

If you have seen the movie let us know.

Mel u

Agostino by Alberto Moravio (1941, 152 pages, translated by Michael Moore)

Recently I read for the first time works by two of the aristocrats of post World War II Italian literature, Curzio Malaparte and Giuseppe Lampedusa.  I am very pleased to have now added to this list Alberto Moravia.  All were deeply cultured and highly influenced by Fascism in Italy.  

Agostino, first published in 1944, it was completed in 1941 but Italian censors did not allow its publication until 1944.  It has been newly translated by Michael Moore and will shortly be published by The New York Review of Books. It is a powerful story of Oedipal conflict and class markers.  The story centers on a thirteen year old boy spending time at a seaside resort in Tuscany with his recently widowed mother.   He and his mother at first are totally caught up with each other, then the mother meets a young man and starts what appears, we see it through the confused eyes of the son so we are not sure what the relationship is, to be a romance with him.  The boy at this point is innocent sexually. He does sense the attractiveness of his mother and he greatly resents the interloper. The boy is from a well of family.  He meets at the resort a group of lower class boys, toughs, run by a sinister man with six fingers, a Fagin figure who might we end up thinking be a child molestor.  The world these new boys live in is very new to the boy.  He is bullied by them and comes to understand elements of class in  society.  The other boys tell him about sex and basically say his mother will sleep with anyone who asks.  The boy cannot relate sex to his mother though he sees her in increasingly sexualized terms.  Of course he is very emotionally conflicted. Older movie goers are going to come up with Gina Lola Brigida images from the descriptions of the mother. 

Agostino is a very good, psychologically acute novel. The location in Tuscany is brought brilliantly into the work.  Some characters are not well realized but that is because we seem them through the eyes of the boy.  

This work very much reminded me of Yokio Mishido's The Sailor Who Fell From Grace With the Sea.

Alberto Moravia (1907–1990) was one of Italy’s greatest twentieth-century writers. Among his best-known books to have appeared in English areBoredom, The Woman of Rome, The Conformist (the basis for Bernardo Bertolucci’s film), Roman Tales,Contempt (the basis for Jean-Luc Godard’s film), andTwo Women.

Michael F. Moore is the chair of the PEN/Heim Translation Fund. His translations from the Italian include, most recently, Live Bait, by Fabio Genovesi,The Drowned and the Saved, by Primo Levi, and Quiet Chaos, by Sandro Veronesi. He is currently working on a new translation of the nineteenth-century classic, The Betrothed, by Alessandro Manzoni.  (From web page of the publisher)

Please share your experiences with Italian post WWII authors with us.

Mel u