Short Stories, Irish literature, Classics, Modern Fiction, Contemporary Literary Fiction, The Japanese Novel, Post Colonial Asian Fiction, The Legacy of the Austro-Hungarian Empire and quality Historical Novels are Among my Interests








Saturday, July 15, 2023

Charlie Chan Goes to Paris - A 1935 Film directed by Lewis Seiler and Hamilton McFadden- starring Werner Oland and Mary Brian- from Fox Studios - running time 77 Minutes


 

Charlie Chan Goes to Paris - A 1935 Film directed by Lewis Seiler and Hamilton McFadden- starring Werner Oland and Mary Brian- from Fox Studios - running time 77 Minutes

This is part of my Participation in Paris in July 2023 -hosted by Words and Peace.


https://wordsandpeace.com/2023/06/30/paris-in-july-2023/#list


Chan is on his way back from completing the London case—they always mentioned the previous case in the next movie—to go on "vacation" to Paris, but this is just a way to make people think that he is innocently there. He is on a case for some London bankers and customers who say that some bonds from the Lamartine Bank in Paris are forged, so they hired Chan to solve the case. Chan is on his way to meet the new ward of the head of the Lamartine Bank, Paul. A blind man named Marcel Xavier comes up to him, and asks him for some change. After a police officer escorts Xavier away, Chan calls his assistant, Nardi, who promises to talk with him later about new information she found out. He meets with Victor Descartes, Mr. Lamartine's ward who is about to own the bank. Chan also meets Victor's friends: Max Corday, an alcoholic painter and his girlfriend, and Yvette Lamartine, the daughter of Mr. Lamartine. Victor tells Chan that Yvette is the special one: the two are engaged.




That night, Chan, Max and his girlfriend, Yvette, and Victor go to a cafe/club, where Nardi works as a dancer. After her performance, she is thrown into a room by her dance partner (part of the routine), where Marcel murders her by throwing a knife at her. Her last words to Chan instruct him to look in her apartment, where he finds a letter hidden in a cuckoo clock which explains that Albert is spending beyond his income.

As Chan leaves Nardi's house, Marcel throws a giant rock down in an attempt to kill him, which fails. He goes home and reveals his secret to Lee, his #1 son. That night, another attempt is made on Chan's life, this time with another thrown knife. However, Chan has outsmarted the culprit by throwing pillows onto his bed. The next morning, he interviews Paul Lamartine. As he is leaving, he sees Xavier making a scene, as he feels that the bank is cheating him out of his money. His escort gets him to leave, but not before he threatens everyone there. Chan instructs Lee to do some spy work around town. Chan is then accosted by his old friend, an inspector. They go and eat together.

Later, Victor drops Yvette off at her house. However, after Victor leaves, she goes to Albert's apartment to get some love letters, which she doesn't want Victor to see. Albert is seen calling a mysterious person, revealing that he is in the forging business. Unbeknownst to him, Marcel is secretly watching him through the window. Albert welcomes Yvette in. As he is about to give her the letters, he is shot by an unseen assailant. The other tenants rush up after Yvette screams. They believe her to be the murderer. She is jailed by the inspector, but Charlie points out an overlooked clue: footprints leading to Albert's room. They release Yvette.

That night, Charlie goes to the bank and asks the bank manager, Latouche, to give him Xavier's address. Afterwards, they catch Corday in the act of leaving town. Lee keeps Corday company while Charlie goes with Victor to Marcel's house. They are followed by Xavier as they make their way to the basement. Inside, they discover printing machines. Xavier comes in and shoots at Chan, but Chan is revealed to have blocked it. They capture Xavier as Lee and the police arrive. Charlie reveals that Xavier is the murderer, but he is not a real person. He has "Xavier" take off his false face. The murderer is revealed to be Latouche, as well as Corday. Chan goes into a summary of how they each became "Marcel" as so not to incriminate one another.

"The Charlie Chan movies have been criticized for being racist, particularly in their portrayal of Chinese stereotypes. For example, Chan is often portrayed as being wise but also superstitious and somewhat bumbling. He is also often depicted as being subservient to white characters.

"In recent years, there have been calls to retire the Charlie Chan character altogether. However, others argue that the character can be redeemed if he is portrayed in a more positive light. For example, the 2010 film The Forbidden Kingdom featured Jackie Chan as a wise and respected Chinese kung fu master.

Ultimately, whether or not the Charlie Chan movies are racist is a matter of opinion. However, it is important to be aware of the potential for racism in these films and to critically assess their portrayal of Chinese characters.

Here are some specific examples of racist stereotypes in the Charlie Chan movies:

• Chan is often portrayed as being short, bucktoothed, and having a thick accent.

• He is often depicted as being superstitious and gullible.

• He is sometimes shown as being subservient to white characters.

• The films often feature racist humor at Chan's expense.

It is important to note that not all of the Charlie Chan movies are racist. Some of the later films, such as The Chinese Parrot (1934) and Charlie Chan at the Opera (1936), are more positive in their portrayal of Chan. However, the earlier films in the series are more likely to contain racist stereotypes.

If you are considering watching a Charlie Chan movie, it is important to be aware of the potential for racism. You may want to choose a later film in the series that is less likely to contain racist stereotypes." From Bard 

In defense of the film, Mr. Chan is portrayed as highly intelligent and is treating with respect by his Paris contacts. I found the movie fun and exciting. 

I will next post upon a classic comedy The Merry Widow, 1935, Directed by the great Ernst Lubitsch.

Mel Ulm























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