Works I have so far read for German Literature Month 2014
1. Siddhartha by Hermann Hesse
2. Gertrude by Hermann Hesse
3. "Diary of a School Boy" by Robert Walser (no post)
4. Steppenwolf by Herman Hesse
5. Burning Secret by Stefan Zweig 1925
6. Life Goes On by Hans Keilson
7. Comedy in a Minor Key by Hans Keilson
8. "The Wall" by Jurek Becker
9. "Romeo" by Jurek Becker
10. "The Invisible City" by Jurek Becker.
11. Wittgenstein's Nephew by Thomas Bernhard
12. "Dostoevsky's Idiot" by Robert Walser
13. "French Newspapers" by Robert Wasler
14. Jakob the Lier by Jurek Becker
15. The Trial by Franz Kafka 1915,
16. "The Seamstress" by Rainer Maria Rilke 1894
17. "The Experiement or the Victory of Children" by Unica Zürn 1950
18. "The Star Above the Forest" by Stefan Zweig. 1924
19. "Saint Cecilia or the Power of Music" by Heinrich von Kleist 1810
20. Amok by Stefan Zweig 1923
21. Concrete 1982
22. "Kleist in Thun" by Robert Walser 1913
23. "Incident at Lake Geneva" by Stefan Zweig (1924)
24. "The Governess" by Stefan Zweig 1927
25. "The Sandman" by E. T. A. Hoffmann 1817
26. "The Secrets of the Princess of Kagran" by Ingeborg Bachmann 1971
27. "Twilight" by Stefan Zweig 1928
28. "The Lunatic" by Georg Heym 1913
29. "Dissection" by Georg Heym 1913 - no post
30. "Blackbird" by Robert Musil
31. "The Kiss" by Robert Walser 1914. - no post
32. "The Suspect" by Jurek Becker. 1980,
33. "A Favorite Family Story" by Jurek Becker 1982
34. "Moonbeam Alley" by Stefan Zweig. 1928
35. "Flower Days". By Robert Walser, 1911, no post.
36. "Fantastic Night" by Stefan Zweig
37. "The Walk" by Robert Walser. 1917
38. The Flight Without End by Joseph Roth. No post.
When I attempted to post on Robert Walser's "Kleist in Thun" I found myself unable to do more than launch into a barely credible to those who have not experienced rhapsody on the story in which I said
it belonged among the greatest of all art. I now feel the same way about his longer work, "The Walk".
Maybe in 2015 I will try to write a series of post on Walser, I have two of his collections of short stories.
William Sebald does a great job of explaining the wonder and power of Robert Walser in this article reprinted in The New Yorker.
Getting Ready for the closing Party for German Literature Month IV
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