"The Great God Pan" by Arthur Machen

"The Great God Pan" by Arthur Machen (1890, revised 1894, 35 pages)

"One of the Best Horror Stories"-Stephen King

A True Classic of the Paranormal Fiction

I am having a lot of fun reading short stories for Carl V's R I P reading event (Sept 1 to Oct 31).   The rules are on his blog but he has made it fun an easy for all to join in this great community building activity.   So far I have posted on Japanese, Irish and English paranormal short stories.   Today I read one of the true classic short stories of the paranormal and the occult, "The Great God Pan".   

I first learned of Machen (1863 to 1947-Wales in the UK) when I did a bit of research for my post on a much better known writer in this genre, P. K. Lovecraft. Machen was one of  the writers that inspired Lovecraft who in turn was hugely influential among paranormal writers.   

About the time of this story there was a lot of interest in the Occult in England.    Much of the interest was centered in various mystical orders such as The Golden Dawn.   These orders were frequented by true believers and charlatans and those just seeking an alternative faith.   Many of the "Gurus" of the period styled themselves as in possession of occult lore going back through Elite Masonic groups back to ancient Egypt.     Machen began to develop an interest in the occult when his wife died of cancer.

As the story  opens a surgeon is about to do for the first time an experimental brain surgery procedure that will allow his ward Mary to see the great God Pan (by which he means the reality under the world  of illusion.)   Here is what happened when Mary comes out of the ether (I want to quote a bit as it is the wonderful atmosphere created by the magic prose of Machen that makes this story work.

Suddenly, as they watched, they heard a long-drawn sigh, and suddenly did the colour that had vanished
return to the girl's cheeks, and suddenly her eyes opened. Clarke quailed before them. They shone with an
awful light, looking far away, and a great wonder fell upon her face, and her hands stretched out as if to touch
what was invisible; but in an instant the wonder faded, and gave place to the most awful terror. The muscles
of her face were hideously convulsed, she shook from head to foot; the soul seemed struggling and shuddering
within the house of flesh. It was a horrible sight, and Clarke rushed forward, as she fell shrieking to the floor.
Three days later Raymond took Clarke to Mary's bedside. She was lying wide-awake, rolling her head from
side to side, and grinning vacantly.
"Yes," said the doctor, still quite cool, "it is a great pity; she is a hopeless idiot. However, it could not be
helped; and, after all, she has seen the Great God Pan."

This is really a densely written work that really should just be boiled down but here goes.   Mary has a child who the doctor sends to a family to be taken care off while providing a generous allowance for her.   She begins to do terrible things then at about age 16 she disappears.   One of the "characters" in this story is the city of London.   Machen takes us to places the respectable never see in the company of one of the man characters in the story who is kind of a connoisseur of the darker side of London.

We meet Helen Vendler.   If you have read Rebecca by Daphne du Maurier you have met a beautiful woman with a strange sinister past and for sure Helen Vendler is in that mode.    Suicides, murder, occult signs,  house where unspeakable things are done, and a once very wealthy man found wandering the streets as a beggar are just a few of the things that happen in "The Great God Pan".

Here are the final words of  the story:

"Such, Raymond, is the story of what I know and what I have seen. The burden of it was too heavy for me to
bear alone, and yet I could tell it to none but you. Villiers, who was with me at the last, knows nothing of that
awful secret of the wood, of how what we both saw die, lay upon the smooth, sweet turf amidst the summer
flowers, half in sun and half in shadow, and holding the girl Rachel's hand, called and summoned those
companions, and shaped in solid form, upon the earth we tread upon, the horror which we can but hint at,
which we can only name under a figure."

To really sum up the plot would take long  a post.   This is a fun scary story that is a classic horror/weird tales work.    It is said to have influenced R. L. Stephenson in the his "Dr Jekyll and Mr. Hyde" and I can for sure see that.

You download "The Great God Pan" in numerous formats here.

Mel u

Two Edwardian Englishmen take on Haruki Murakami in a Paranormal Short Story Match

"The Cobweb" by Saki (5 pages, 1902
"The Bowman" by Arthur Machen (4 pages, 1917)
"The Elephant Vanishes" by Huruki Murakami (1987, 17 pages)

Can Two Odd Englishmen from the 1910s

Really Stand up to Huruki Murakami

A Paranormal Contest

I am really enjoying participating in Carl V's R I P reading event devoted to Horror and Paranormal Literature.   My last post for it was devoted to short stories by two American authors, O Henry and Sherwood Anderson, and the world's second best short story writer, Guy de Maupassant from France.   

Today I plan to look at two short stories written during the early years of the 20th century by Englishmen and one from the towering Japanese writer Huruki Murakami.   Can two maybe a bit odd Englishmen stand up to one of the world's greatest living authors.

I have posted extensively on Saki and Huruki Murakami in the past (I think I have more posts on Saki than any other book blog) so I will  focus first on Arthur Machen.

"The Bowman" by Arthur Machen

"The Bowman" by Arthur Machen was totally loved by the English reading public on its first publication.   It has to be one of very best uses ever of the short story as  a device for raising public morale during a war.   

Machen (UK-Wales-1863 to 1947) had a huge influence on paranormal writing.   He is best known for his novella The Great God Pan which Stephen King has called possibly the best horror story ever written.   He was a strong influence on P. K. Lovecraft and almost every writer who published in the pulp magazines where horror and paranormal stories got there start.   His life is interesting.  It seems he first developed an interest in the occult when his wife died of cancer.  He was for a time involved with The Order of the Golden Dawn headed by A. E. Waite.   He had a life time belief in "little people" only some can see.  (There is a very good article on his life, background and influence here.)

The story begins on a WWI battleground in France.   The English are being slaughtered in the 1000s by a much larger German army. (This work is understandably very anti-German).   Thousands of brave Englishmen are being cut down by German machine guns and canons.   A highly educated Englishmen recalls the very famous battle of Agincourt in France in 1415 when a greatly outnumber army of English men destroyed a much larger and better equipped French army through the use of long bows.   Every soldier had learned of this battle in school and it is great source of pride to the English.   Suddenly this man calls out, in Latin,  to St George (the patron saint of England) for the help of the Welsh and English archers from this battle just as all seem doomed to a certain death.   Suddenly thousands of what are described as "shadowy" archers appear among the English.   The air darkens completely as millions of arrows are launched at the Germans.   Everywhere on the battle ground we here shouts of "The Archers are here" and "St George has saved us".  The English soldiers were saved.   The German soldiers attempt to retreat but their officers begin to shoot their own men in mass for cowardice but soon the all  the Germans run from the battlefield.  Hundreds of thousands of Germans are found dead on the battlefield but none has a mark on their bodies.   The German  authorities attempt to claim it was a gas attack.    

I think  "The Bowman" was in its place and hour of need, a work of genius.   I think even now anyone who feels he is of English inheritance at all will be moved by this story.  I can see how one could say it is jingoistic but that is what was needed.   I will take a look very soon at Machen's most famous work, The Great God Pan.     My guess, forgetting who is a better writer, that Machen's story will be read widely long after Saki and Murakami are read only by specialists in ancient literature.   

"The Cobweb" by Saki

I really like Saki (Hector Munro 1870 to 1916-UK) a lot.   He wrote a lot of short stories, pretty most all with surprise endings.    Most of the stories are set among the upper crust of society in England in the early years of the 20th century.   His works tend to be gentle satires.   His prose style is very mannered and he may seem effete to some but I love his stories.   He was over the draft age for WWI (43) but he volunteered for service and was killed during the war.   One thing nobody associated him with, including me until I read "The Cobweb", was the paranormal.   One of the unfortunate associations in paranormal/Gothic/occult stories is the assumption that quite old unattractive women are sinister.   "The Cobweb" takes place on a remote farm.   It has passed from hand to hand in a family as people die off.  The only fixture is an old woman who works there.   No living person  can be found who knows how she got to the farm.  It just seems like she has always been there.   The atmosphere of the story is very Gothic.   The woman begins to see traditional occult images of coming death.  Everyone just takes it for granted she is seeing signs of her own death.    This Saki and there is a twist but unlike all of his other stories, it will not make you smile.   This is a story for Saki fans and those who want to read a story of the occult from England in 1902.   

"The Elephant Vanishes" by Haruki Murakami

Haruki Murakami (1947-Japan) is by far the most read Japanese writer in the world today.   Some see him as one day the 3rd Japanese Nobel Prize winner for Literature.    I think his forthcoming IQ84 (October 2011) will be one of the most blogged on books for the rest of the year.     (There is additional background information on him in my prior posts on his work.)

"The Elephant Vanishes" (translated by Jay Rubin) is a very well done and set up story.    To compress things, an old elephant is given to a town by the owners of a local zoo when the land the zoo  is on was sold to developers.   At first the town leaders did not know what to do with the elephant.   No zoo will take him as he is old and they all already have elephants.    To kill him is out of the question so they set up a house for him with airtight security.     He is taken care of by the same elderly man who cared for him many years at the zoo.    One day the elephant just disappears (he was also chained up by his leg with a key only the city leaders had).   Everyone assumes somehow the keeper stole him but it just seems impossible.     The narrator of the story develops an obsession with trying to figure out how the elephant disappeared.   Murakami does his normal great job with the characters in the story.   There is even a failed romance.      I want to leave the ending of this story unspoiled.   Murakami makes use of magic-realism to explain how the elephant disappeared and I found this ending a little forced.

OK how does the dust settle in this read off?

For sure I think "The Bowman" has had and will continue to have the most readers.  Of this story many of its readers love it and that includes new readers.   It has been and will continued to be read by people who see Saki as a bit silly (OK sorry for that) and Murakami as over their head.   (It will probably never be taught in German High Schools!)   People will like the stories by Saki and Murakami but they will not love them they will not tell others about them.   As I said, "The Bowman" is a war time story and it screams that out to us.    Murakami's  story is the best plotted and the only one with any real character development.   The Saki story is clever and well written but no more.

You can read "The Bowman" and "The Cobweb" at East of the Web:  Short Stories.   There a lot of short stories that would be perfect for the R I P challenge.

I read "The Elephant Vanishes" in The Oxford Book of Short Stories and it also is included in other collections.  

Has any one any experience with Arthur Machen to share with us?  

Mel u