Showing posts with label Graham Connors. Show all posts
Showing posts with label Graham Connors. Show all posts

Sunday, April 21, 2013

"Darren" by Graham Connors-a short story


March 1 to April 28

Author Bio


Graham Connors is thirty years old and has previously been published in wordlegs magazine, 30 Under 30 (both e-book and paperback editions), Allegory magazine, Under Thirty magazine, The Bohemyth, The Lit Garden, Link magazine and long-listed for the Doire Press International Chapbook competition. He is the founder and editor of Number Eleven Magazine as well as contributing editor for the Dublin Informer newspaper. He successfully staged his first play, ‘The Mortal Pitch’, in both Wexford and Dublin.  He is from Gorey, in Co. Wexford but has lived in Dublin for the last ten years.  Someday he’ll find his way back home.






"Darren"
by
Graham Connors

Ger unfolded the two A4 sheets of paper he had stashed in his top pocket and glanced over them, skimming the words but not reading.  He refolded the pages, pressing them between his clammy palms and listened to the sounds of the crowd filling the auditorium.  He closed his eyes and took a moment, letting the noise of the room wash over him and asked for a little strength, just enough to carry him through this. Silently and almost unknown to himself he started to pray, a quick run through of the Our Father.  He crossed himself and turned around stepping in behind the heavy curtain of the backdrop, ready to take his position with the other members of the panel.


With all of them now lined up, Ger took a moment and peeked through a crack between the curtains out at the auditorium.  Two hundred people or more had taken seats with ushers placing an extra line of chairs along the edge of each aisle and one more row at the front. Janette, the coordinator, flitted forward and back across the room, checking little details.  She watched as one usher busied himself fixing a large banner that lined the far wall.  It sagged in the middle, almost folding over itself, obscuring the words. The usher released one cord and pulled on a second, straightening the lie of the banner, trying to get it flush against the wall.  Ger caught his name, ‘Ger Donohue’, in big bold letters on the bottom of the banner.  He never thought he’d see the day where people would come to hear him speak.  Of course there were others too, parents and psychiatrists and experts in various fields lined up on the panel just like he was.  They wore impeccable dark suits, finely polished shoes; the women with their hair neatly bunched to the back of their heads, the men with cleanly shaven faces.  Ger was dressed out of Penney’s; the only thing not new was the 10-year-old grey corduroy jacket that was now a little tight across the shoulders.

Janette took to the stage, the crowd hushing themselves as her shoes clicked across the floor.  She spoke for a few moments, welcoming everyone, introducing each speaker as they sat on the panel.  Ger was last.  He thought of Darren.  He thought of him regularly, every day, maybe several times a day and as he pressed his palms flat together, his folded up speech between them, he hoped that his son was thinking of him right now.  Studying the auditorium Ger saw that the ushers finally had everyone seated and the banner the way they wanted it.  The Annual Conference of Suicide Awareness and Education it read, in beautiful white letters on a light blue background.
*

Each speaker, and there were nine of them, spoke for fifteen to twenty minutes, some taking questions from the crowd.  Ger was a parent, as was the woman in the middle of the panel and they were here to speak about their sons and daughters - their own experiences.  The woman, June was her name, spoke about her daughter Heather.  As she spoke the crowd nodded along with her, agreeing and sympathising with everything she said.  She cried twice as she spoke, taking a moment or two to compose herself, apologising to the crowd in strained, tearful sobs.  
The water bottles on the table shook as June finished speaking; a wave of applause rolling across the auditorium and she thanked the crowd, her eyes red and puffy.  Ger looked down the line as she sat and caught her eye.  He smiled wanly, not knowing how else to say, ‘Well done, I’m sure she’s proud of you.’  He hoped she knew what he was trying to say, that he was not congratulating her on speaking well, just on speaking in the first place.

The speakers rolled on, Ger caught between listening to them and trying to recall as much of his speech as he could from memory.  He had said these words a hundred times in practice, talking about how his family coped, remembering quotes from journals and various statistics.  Looking down at the folded up piece of paper clamped between his palms Ger suddenly thought ‘what’s the point’ with statistics and quotes - Darren was gone and to anyone who did not know him, his passing was nothing more than just another statistic, another number.
Ger nearly missed his name as Janette introduced him.  The Guidance Counsellor beside him nudged Ger politely with her elbow, motioning with a slight nod of the head to the podium.  Janette stood waiting, a soft smile on her face, as she turned to the microphone.
“And now ladies and gentlemen, Mr. Ger Donohue, our final speaker of the evening.”  She squeezed Ger’s forearm as he stepped up to the podium, his hands resting on the edge before unfolding his speech.  
“Hello,” he said, taken aback by how loud and booming his voice sounded across the room, realising he’d never spoken to a crowd larger than the U-14’s football team he once trained.  “Hello,” he said again, “my name is Ger Donohue, as Janette just said.  I am here today with my wife, Sharon.  I am not used to speaking in public, so please bear with me as I might take my time over big words.”  This drew a soft, almost inaudible laugh from the crowd and Ger smoothed out the pages across the podium.
“Myself and Sharon and our daughter Linda lost our son, Darren, a little over two years ago.”
Ger watched the room, watching faces and hands and the cracks in the carpet.  He felt a nervous breathlessness rise through him, struck by the profound silence that several hundred people can make.  And so he started to speak, quietly at first, scanning each line of the pages before him.
“Young lives are so fragile.  Darren, my son, was twenty-four years old when he took his own life.  He was the first of the family to go to college and get a degree and I thought he was just brilliant.  But, on August 28th 2010, he told his flatmate that he was going for a walk, that he’d had a hectic day in work and just wanted to clear his head.  He never came home.  Selfish, that was my first reaction.  This young healthy man had thrown it all away.  But Darren was not selfish, I knew him and I struggled with losing him, with this thing that I just couldn’t believe.”
Ger searched for the water glass again, taking a sip this time.  He sat the glass down beside him on the podium and tried to find his place again on the page.  His vision was cloudy and he could not find the paragraph he had ended on.  He took a deep breath and folded over the pages, slipping them under his glass before lifting his head and looking out across the sea of faces before him.  He cleared his throat and leaned into the microphone.
“I had a speech prepared about coping mechanisms, stuff I’d researched but it doesn’t seem right that I should discuss my experiences through other people’s words.” Ger paused, scanning the auditorium before continuing, “I miss him every day,” he said, five achingly simple words that made him pause once more.  “Listening to the other speakers, I realised that losing someone affects everyone differently; no one can tell you that this is what you are going to feel and this is what you have to do to get over it.  There’s no way to get over a suicide; you just have to cope with it as best you can. You build your life around this person when they are born and you care for them, you love them, encourage them and then all of a sudden they are gone, just gone,” Ger said, unconsciously snapping his fingers to emphasise the point.  “There’s nothing that I can say to let you know how I felt, or how I am feeling right now, it’s just impossible,” he said as he blinked away the budding tears in his eyes.  
“After his funeral I became very angry, angry with a lot of things, God, myself, Darren – why did he do this to us?  I took down all his pictures, I couldn’t look at him and it nearly destroyed us as a family.  My wife Sharon had lost her son too, Linda, our daughter, had lost her big brother and slowly they were losing me as well.  But I couldn’t help it, as I didn’t understand.  That was the first stumbling block.  You see, when you lose a child or a husband or a wife or a friend, it’s not about understanding why, that may never come; firstly you have to accept it, something that I found very hard to do.  I realised, while looking at a blank wall where once hung his Graduation photograph, that I had not only lost him but was now, through my own anger, losing his memory.  It is very hard to forgive but I had to; if I kept on being angry then Darren would be nothing but anger to me.”
Ger shuffled in a little closer to the podium, changing the angle of the microphone slightly.
“Darren suffered from depression, had done so since he was a teenager but he didn’t run away from it or ignore it; he stood and faced it.  He told me once that depression changes things; it makes the highs so much higher and the lows so much lower.  He took every day as it came to him, one day at a time, one smile at a time as he knew he had to fight for every single one.” Ger paused, allowing his words to move about the room, watching as they landed amongst the crowd, feeling that they made sense.
“In the end he must have been so tired of fighting, seeing himself as a burden on all of us around him.  I can only think that this is what made him do what he did as he felt that we, the people who loved him, would be better off without him.  This is what I meant earlier when I said that you have to accept something before you can understand it. How can you possibly accept that?
“When I was told that Darren was gone I didn’t believe it.  No, my son Darren is going to walk in through the door for a cup of tea before heading to football training.  I was wrong though.  When I looked upon him the evening before his burial, as I touched his hair and face I knew that this was real and that I would never see him again.  That is the hardest thing in the world to try get your head around.”  
Ger took another mouthful of water, these words heavy and hard in his throat.  A woman in the front row was crying.
“I found the silence the hardest thing to deal with; this missing person has taken so much out of your own life that you think it will be impossible to ever be normal again.  It was here that I did a lot of thinking, vented a lot of my anger and came to the conclusion that Darren was a very honest and a very brave young man.
“Brave, it’s strange a thing to say, isn’t it?  Before this I heard people speak of suicide as the coward’s way out and I often agreed.  But I don’t anymore.  I looked this up in the dictionary actually and I remembered it off by heart; brave means to possess or exhibit courage or courageous endurance.” Ger let out a long audible sigh as he tried to look at anything other than the faces of those in front of him.
“Courageous endurance,” he said, finding only strength enough to say those two words.  From somewhere deep in the auditorium he heard someone say, ‘it’s okay, take your time’; and he smiled, composing himself before leaning back into the microphone.
“That described Darren perfectly.  He had battled his demons for so long but faltered and fell before them and as I had told him since he was a child, there is no shame in failure.  Darren was very brave in our eyes because he fought until there was no fight left in him.  He took everything that depression could throw at him and still he came back and he came back with a smile.  He struggled against hardships I can’t begin to imagine and he did not let it define him.
“He spoke about it the way someone might speak of a limp or a wart; it was just something he had that was part of him, it didn’t make him special or different, it was just something he had to deal with.  We spoke about it sometimes and he put it like this, I have depression Dad, but you have red hair – we all have our own problems.  He could always make me smile.”  And smile Ger did, a broad and beaming grin that lit the room.  “It’s these things you have to hold onto, isn’t it, those moments that you have to keep safe?” he said, not looking at anyone, only talking to himself.
“Like all parents, I wished that Darren would have better and to achieve more than I ever did.  I wanted him to conquer the world because I truly believed he could.  I didn’t realise that, of all the things a parent could hope for their children, the most important is happiness.  And I don’t know if I ever hoped for happiness for him.  I assumed it; mad, isn’t it?  
“I often asked how he was, was he okay and how he was feeling.  I’m great Dad, he’d tell me and then I was happy, happy in not understanding I guess.  Somewhere, in a place he didn’t want anyone to see, he kept his unhappiness locked away as he strove for all the meaningless things that life has to offer; money, cars and success – it’s all nonsense.  It was only after we lost Darren I realised that life demands only one thing of people and that is to live.
Ger looked off to the corner of the stage and sniffed loudly, watching a piece of paper flutter madly in a draught of air coming from the open door.
“I am sorry if I am rambling.  My advice for you, the parents in the audience, is to talk to your children, to listen to your children.  Don’t be afraid of things you don’t understand because teenagers will present you with endless amounts of things that you will not understand.  Ask your children about their lives, about them as people.  Share their enthusiasms, encourage them but don’t push them.  You don’t need to be their best friend; that is not your job.  You just need to be there.
“Children, have patience.  Life is not a race or a competition but it is a challenge, an obstacle course, but there is no limit to the amount of times you can ask for help.  As I found in the weeks and months after Darren’s passing, people are amazing.  In your darkest hour friends and family, sometimes even complete strangers, line up to help you because there is no pleasure in watching someone stumble and fall.  There is only joy in watching you succeed, in helping you get over your problems.  You are never as alone as you think you are.  There is no place you can go where you cannot be heard.  There are no roads you can walk down that someone is not willing to walk with you and there is nothing in this world that can destroy hope.  Only we can convince ourselves that there is no hope for the future if we let ourselves.  Don’t give up, there will be a hand to hold, there will be a shoulder to cry on.  There will always be hope.  
“I say these things now as a parent who has accepted my son’s passing.  I don’t know at what stage or how soon after we’d lost him that I finally found this acceptance.  I was alone in our home and I told my son I loved him, one night in the dark in his old bedroom. I told him that I loved him and that I forgave him.  I told him that I did not understand and probably never would but that it did not matter to me now.  From that moment on I regained him, I found him again among all the bitter emotions that I had been storing up inside. I found the love that anger had very nearly destroyed.
“Thank you.”

Ger stumbled over his last few words and wept as he stepped away from the microphone, little streams of tears coursing down his cheeks but he did not care.  As he watched the auditorium he heard a lot of things, the clamour of voices, of hands clapping, of people moving about and getting to their feet.  But through all this noise, he was sure he heard two things distinctly.  He heard his wife, her gentle whisper as she told him she was proud of him.  The other, as he stepped back to his seat, the room swirling in what seemed like slow motion, was his son’s voice.  
Thank you, Dad.


End

I thank Graham O'Connor for allowing me to share this story with my readers. It is protected under international copyright law and cannot be published without the permission of the author

Mel u

Saturday, March 23, 2013

Graham Connors A Question and Answer Session with the author of "Last Orders" and "Great Expectations"



March 1 to March 31
Graham Connors
author of
"Last Orders" and "Great Expectations"
Gorey, Ireland
and Founder and Editor of
Number Eleven Magazine


Your participation is invited for ISSM3. If you are interested, please e mail me.

I first encounter the work of Graham Connors in November last year when I was reading and posting on all of the short stories in 30 Under 30- Stories by Young Irish Writers edited by Elizabeth Reapy. I read and found hilarious his account of a young man's first sort of romantic encounter in his "Great Expectations". (My post on this really well done story is here.)

During this years ISSM3 I read and posted on a story which was published in The Bohemyth - A Literary Journal, "Last Orders" about college friends and the parting of the ways, among other things. (My post on it is here)

Today I am very happy to be able to share with my readers his Q and A Session.

Author Bio

Graham Connors is thirty years old and has previously been published in wordlegs magazine, 30 Under 30 (both e-book and paperback editions), Allegory magazine, Under Thirty magazine, The Bohemyth, The Lit Garden, Link magazine and long-listed for the Doire Press International Chapbook competition. He is the founder and editor of Number Eleven Magazine as well as contributing editor for the Dublin Informer newspaper. He successfully staged his first play, ‘The Mortal Pitch’, in both Wexford and Dublin.  He is from Gorey, in Co. Wexford but has lived in Dublin for the last ten years.  Someday he’ll find his way back home.



Q & A Session with Graham Connors


1.  Who are some of the contemporary short story writers you admire?  If you had to say, who do you regard as the three best ever short story writers?  

At the moment I think short stories are in a really strong place, probably stronger than ever actually. Kevin Barry and Claire Keegan and Claire Kilroy are three that jump to mind immediately, Kevin Barry especially as he is not afraid to tackle language and create something new and exciting (City of Bohane, his debut novel I will admit, displayed a fantastic use of language). One of the best short story collections I have read over the last few years was from Billy Roche; his short story collection ‘Tales From Rainwater Pond’ is a really beautiful read and well worth looking in to. For me Colm Toibin, John McGahern and Stephen King are the three best short story writers that I have read.


2.  I have read lots of Indian and American short stories in addition to Irish and alcohol plays a much bigger part in the Irish stories.   How should an outsider take this and what does it say about Irish culture.    Hanging out in Pubs is a big factor in your short story.

It can’t be denied that the pub plays a huge part in Irish life and so it signs on that this is reflected in our fiction. Every culture has a social focal point, the home, coffee shops, restaurant etc and it just happens to be that the pub plays a major part in the Irish identity but also in how other people and cultures perceive the Irish. Part of it could be that readers almost expect a pub to feature in our fiction at some point due to the fact that alcohol and Ireland’s association with it are so interconnected.


3.  Declan Kiberd has said the dominant theme of modern Irish literature is that of the weak or missing father?   Do you think he is right and how does this, if it does, reveal itself in your work.  

I know from my own writing that the father figure plays a very strong role, a structural role to most of the stories that I tell. I guess this is down to the fact that I have a really strong relationship with my Dad and that just reflects itself in my work. Traditionally, the Mother is the focal point of Irish life and Irish writing so it may not be necessarily that the Father figure is missing or weak, it is just over shadowed by the Mother


.4.  When did you start writing?

I have written since I was a child, since I was able to write. My parents often tell me that I never went anywhere without a notepad and a pen. I have dozens of jotters filled with ideas and stories that I wrote all the way through my primary school years. My sister was a big influence on me as she devoured books when she was a child, still does actually, so there was never a shortage of books around the house.


5.  Tell us a bit, please about your educational background and your non-writing work experiences?

I studied journalism for a time and then moved and took a degree in Media and Communications. I followed this up with an MA in Film and Screen Culture. All the way through this I worked in sales roles or customer service roles


.6.  I sometimes wonder why such a disproportionate amount of the regarded as great literature of the world is written in the colder temperate zones rather than in the tropics.   How big a factor do you think the Irish Weather is in shaping the literary output of its writers.   I cannot imagine The Brothers Karamazov being written on a tropical island, for example.

Haha, I haven’t a clue as I’ve never considered it. It could be that our climate is so miserable for most of the year that all we can do is stay indoors. If we were distracted with warm weather and sunshine then may be we wouldn’t have the time to write.


7. A character in an Ali Smith short story, asks in a conversation on the merits of short stories versus novels ""Is the short story a goddess and nymph and is the novel an old whore?"    Does this make a bit of sense to you?

Not really. Well, the short story, for me anyway, is a form that is so accessible; you can read short stories on your phone, your tablet, your laptop or an actual paper book. I find that a short story, by its very nature, is something to revel in, something that is almost carefree in terms of its form as a short story is something that can be read in one sitting. A novel on the other hand is something that you need to invest in – I wouldn’t call it an old whore though


.8.   Who do you regard as the first modern Irish short story writer?   

This is a hard question to answer. Sheridan LeFanu wrote great horror stories in the 1800’s but if I had to say who I thought the first modern short story writer was then I’d have to say James Joyce with The Dubiners


.9.  Why have the Irish produced such a disproportional to their population number of great writers?

Emm, we’re an island of saints and scholars, or so the old saying goes. I think our culture of storytelling and being storytellers has had a major impact on our place in the literary world. We have always felt compelled to tell the world things, to spread the word and maybe that comes from our religious background, we think in terms of trying to make sense of the world around us. Irish history has been peppered with war and oppression and it is always, when you put someone down, that they strive for greater things - maybe we have always felt, that we had something to prove.


10.   (This may seem like a silly question but I pose it anyway-do you believe in Fairies?-this quote from Declain Kiberd sort of explains why I am asking this:
" One 1916 veteran recalled, in old age, his youthful conviction that the rebellion would “put an end to the rule of the fairies in Ireland”. In this it was notably unsuccessful: during the 1920s, a young student named Samuel Beckett reported seeing a fairy-man in the New Square of Trinity College Dublin; and two decades later a Galway woman, when asked by an American anthropologist whether she really believed in the “little people”, replied with terse sophistication: “I do not, sir – but they’re there."
  


I don’t believe in fairies but I do believe in their legacy. I believe that they are real enough to write about them, to watch out for fairy rings and fairy forts and not to piss them off. Most people would call it superstition – I guess they could be right


11.  Do you think the very large amount of remains from neolithic periods (the highest in the world) in Ireland has shaped in the literature and psyche of the country?

Emm, again I’m not sure. I think that every era will leave a mark on the eras that follow. All kids of school going age know of Newgrange and other sites around Ireland, it is part of our history so I can’t see why the shadows of the past wouldn’t have some bearing on how we write and what we write about.


12.   When you write, do you picture somehow a potential audience or do you just write?

I just write. The story dictates to me how it wants to be written and for what audience


13.  How important are the famines to the modern Irish psyche?  

The Great Hunger that hit Ireland in the 1840’s and 50’s left a deep scar, a scar that I feel has never really healed. Students of Irish history will understand how the famine shaped Ireland and still affects the country to this day. Ireland had a population of 7 million in 1845. At present we have approximately 4.5 million people. Our population never recovered from losing over a million people to starvation and another million people to emigration. Up until 40 years ago there were people still alive whose parent’s or grandparents had lived through the famine, it was still a very fresh and very real thing, not just illustrations in a history book.


14.  Does the character of the "stage Irishman" live on still in the heavy drinking, violent, on the dole characters one finds in many contemporary Irish novels?

Yes, unfortunately it does.


15.  William Butler Yeats said in "The Literary Movement"-- "“The popular poetry of England celebrates her victories, but the popular poetry of Ireland remembers only defeats and defeated persons”.    I see a similarity of this to the heroes of the Philippines.  American heroes were all victors, they won wars and achieved independence.   The natioonal heroes of the Philippines were almost all ultimately failures, most executed by the Spanish or American rulers.   How do you think the fact Yeats is alluding too, assuming you agree, has shaped Irish literature

There is a great saying in Ireland that goes something like this, ‘All our wars are happy, all our songs are sad.’ We fought for independence for centuries against the English, through the 1798 Rebellion, the IRB, the Fenian movement, the Easter Rising of 1916, the Civil War of 1921 etc. These all ended in defeat but the men of those rebellion, the Theobald Wolf Tone’s, the Padraig Pearse’s, the Roger Casement’s and the Father Murphy’s of Irish resistence to English rule all died in the fight. They became martyrs who were honoured because they gave the most important thing they had so others could live without the fear of tyranny – their lives. These men deserve to have songs sang about them and poems written about them. So, to answer the question – I did go on a bit of a rant there – yes, I think that the struggle for Irish identity and freedom has left an indelible mark on Irish literature.


16.   In "Last Orders", what did you have in mind or why did you make David from Trinidad.  It almost seems like he needed to be from outside Ireland to be admired or to not have negative issues.

The world is such a small place now; it is so accessible I wanted the distance between David and Laura to be so great that maybe it might never be bridged. I know so many people that have travelled to Australia or South America or Africa that those places just did not feel right, they didn’t create that sense of loss that Laura felt.  It wouldn’t seem like an ordeal or such a monumental gesture to return to Ireland from any of those places or for Laura to travel to Australia or America. David needed to be from outside of Ireland as, if he were from some county in Ireland or even the UK, it wouldn’t make the break so hard. Laura was the only thing that tied him to Ireland, a tie that he had to sever and sever completely, but always with the hope that they may see each other again. So, if that reunion ever happens, it will be all the sweeter and far more special.


17.  Do you think poets have a social role to play in contemporary Ireland or are they pure artists writing for themselves and a few peers?

Oh, this is a really tricky question for me as while I love poetry I honestly don’t feel like I have any authority in this area as I don’t write poetry. I think poetry should only ever be used to explain something, to dismantle an idea or emotion and explore it in an effort to make sense of it. If you are writing about anything else, something saccharine or writing just for the sake of writing then it’s a pop song you are undertaking. One thing I will say is that there is a new generation of Irish poets who are totally fearless in tackling the changing face of what it means to be Irish and all the staid conventions of Irishness. Stephen James Smith, Kerrie O’Brien, Neil Joseph Burns and Phil Lynch are a few poets that I know personally, poets whose work and view on things I really admire.


18.  "To creative artists may have fallen the task of explaining what no historian has fully illuminated – the reason why the English came to regard the Irish as inferior and barbarous, on the one hand, and, on the other, poetic and magical."-is this right?  Kiberd, Declan (2009-05-04). Inventing Ireland (p. 646).

- I have no idea how to answer this question so I’m not going to, sorry Mel.


19.     Do you think Irish Travellers should be granted the status of a distinct ethnic group and be given special rights to make up for past mistreatment?  Are the Travellers to the Irish what the Irish were once to the English?  I became interested in this question partially through reading the short stories of Desmond Hogan.

Oh, this is a tricky question to answer. I, for one, am not in favour of any form of discrimination. The Irish Traveller is a part of Irish culture and heritage and their way of life should never be lost, the government and modern society should do everything it can to accommodate the Traveller culture. But, at the same time, the members of the Traveller community have got to make a greater effort at integrating into modern Irish society. Popular culture is, at present, reaching out to the Traveller community through several television shows in both Ireland and England that feature Travellers as the focal point. If you don’t adapt or evolve then you are lost, the Traveller culture will be lost to us all and that should not and cannot be allowed happen


20.  Tell us a bit about your plans for the literary journal are starting.  What kind of works do seek to publish what are the biggest challenges in getting it off to a successful launch?

Number Eleven Magazine is a little project that a good friend of mine, James Keane, and myself are undertaking. Our first issue is currently under production and will be released early in April. Look us up on Facebook, Number Eleven Magazine, for all our submission details. Number Eleven, eventually, will be a magazine for the arts community as a whole, showcasing short and flash fiction, interviews, illustrations, artwork, graphic design and much more. We have great plans for developing it down the line but right now we are looking for strong, fresh pieces. Every journal asks for original or edgy prose. Of course, we want to read really interesting pieces but our emphasis is quality. We want well-written pieces, clear imagery and strong characters. If you are an artist, designer or illustrator then show us that you know your craft, that you can command the skills you possess. Submissions can be sent to numbereleveneditor@gmail.com.


www.numberevenmagazine.com


21.  Best place in Dublin near Trinity University to get breakfast, fish and chips, have a fairly priced pint and hear some traditional music?

Now here we go. Right, the best pints in Dublin in or around the Trinity area can be found in Bowes on Fleet Street, The Lord Edward on Christchurch Place or The Dawson Lounge on Dawson Street (just to say, I am judging this on Guinness, none of this larger nonsense). Fish and chips, there is only one place and that is Leo Burdocks, also on Christchurch Place, although, if you’re in Dublin you should be looking for stew and coddle. If that is what you fancy give O’Neills or The Auld Dubliner in Temple Bar a shout. A good breakfast depends on what you want for breakfast, if it’s a full Irish fry up then you should look toward The Larder on Parliament Street. Good music spots are ten-a-penny in Dublin but try The Dame Tavern, Peadar Kearneys, The Stags Head, Donohue’s or, if you want to cross over the Liffey, MacNeill’s on Capel Street.

22.  Do you prefer ereading or traditional books?

Traditional books – you can’t smell paper off of an e-reader


.23.   If you were to be given the option of living anywhere besides Ireland where would you live?

New Zealand. I spent a summer there when I finished school and it is just the most beautiful country I have ever seen. The people are something to be celebrated, really rich and warm in terms of their personality and outlook.


24.  If you could time travel for 30 days (and be rich and safe) where would you go and why?

This might sound like a strange use of time travel but I’ve always had a love affair with the old west. I would love to see America in the 1800’s when there was a frontier to see.  I blame the double whammy of Dances With Wolves and Last of the Mohicans as the inspiration for this. Does the America that Lt. Dunbar saw still exist? If it does then we can forget about time travel, I just want to see that.


25.  Reading 30 Under 30-A Selection of Short Stories by Young Irish Writers edited by Elizabeth Reapy gave me a great feeling of confidence for the Irish short story. Is there any sense of unity among the 30 Under authors? Do you see any thought of follow up anthologies. To me it could be a great test lab for following the development of young writers.

Absolutely. I think that 30 Under 30 should be a regular thing (I don’t know how much Elizabeth will like to hear me saying that as I know the mammoth task she had in organising and coordinating the project).



26. Have you attended creative writing workshops and if you have share your experiences a bit please.



I have. I am a member of a writers group here in Dublin and we meet nearly every week to critique each others work but also to sit down and try our hands at a creative exercise. I find the creative exercises to be great fun. That’s the first point and most important for me; it has to be fun. There’s no point trying to do something that you hate. But it takes work, you have to concentrate and be prepared to invest yourself into the process. It’s much like running or exercise, before you do it you try talk yourself out of it but once you’re started you can’t imagine why you were so slow to get going


27.   Best Literary Festival you have so far attended?

I don’t have too much experience as I have not been to too many but the best I have been to was ‘Shore’ in Enniscrone, Co. Sligo. The Market Festival in Gorey, Co. Wexford was also another great one.


28.   Flash Fiction-how driven is the popularity of this form by social media like Twitter and its word limits?

Emm, I’m not sure. I think maybe flash fiction’s popularity has increased in part due to the decrease in a lot of people’s attention span. Everything has to be fast, fast, fast and now, now, now and social media really plays to this. Because of the proliferation of social media outlets it seems increasingly harder for people to focus on one thing at one time. If you are watching television then more often than not you have the tablet or the mobile phone on as well, surfing the net, updating Facebook or tweeting about the very thing you are watching. It’s the same with fiction, readers seem to want smaller, more bite-sized chapters or stories so I think that one thing feeds into the other, social media has allowed our concentration to drop but then also opened the door to flash fiction, which has reaped the rewards.

29.  How important in shaping the literature of Ireland is its proximity to the sea?  



Very, I feel. I come from a small town in Co. Wexford, where I grew up only a few miles from the sea. Liam Griffin, a famous Hotelier and GAA sports personality in Ireland once said that Ireland has a fractured sense of itself due to the fact that the country is so small and surrounded by water and lined with mountain ranges, which naturally isolates certain parts of the country. This creates a unique personality or identity for all those area’s and this is very much reflected in our literature.

30.  OK let us close out on this note-what is your reaction these lines from a famous Irish poet?
I was born to the stink of whiskey and failure 
And the scattered corpse of the real. 
This is my childhood and country: 
The cynical knowing smile 
Plastered onto ignorance 
Ideals untarnished and deadly 
Because never translated to action 
And everywhere 
The sick glorification of failure. 
Our white marble statues were draped in purple 
The bars of the prison were born in our eyes 
And if reality ever existed 
It was a rotten tooth 
That couldn't be removed.
Michael O'Loughlin 

Ouch, that is my first reaction to these lines. This is a very angry poet, angry at being Irish and at what being Irish is, the straightjacket of culture and expectation. I also read it as someone who sees the Irish fight for freedom as being central to who we, as Irish people, are. 


End of Q and A

I offer my great thanks to Graham Connors for taking the time to provide such interesting and well reasoned responses to my questions. I hope to read more of his work soon.

Mel u

Sunday, March 10, 2013

"Last Orders" by Graham Connors

"Last Orders" by Graham Connors  (2013, 4 pages)


March 1 to March 31

Graham Connors
County Wexford

Event Resources-Links to lots of short stories, from classics to brand new works-Guests posts are welcome-just contact me if you are interested in participating In ISSM3 in any fashion.

I first read a short story by Graham Connors while reading the short stories in 30 Under 30 - A Selection of Short Stories by Thirty Young Irish Writers.  I really liked Connors' story, "Great Expectations" about a young man's first sexual encounter.  

Great Expectations"  is a very well written thoroughly entertaining account of a young man's first sexual encounter, with his oh so sexy girl friend in her parents house while her parents, especially her very scary father, are out for the night.   

We can feel his anxiety and self criticism when he is in her bedroom with her half naked and all he can find to talk about is the posters on her wall.  The girl says she wants them to watch a porno movie she got from her 15 year old brother's room, to see what he is into.     We see him get more nervous, and aroused, as it looks like sex is actually going to happen.   He thinks about the things his buddies have told him about girls.  Then something terrible happens, no her father does not burst in with a gun, and it all goes flat.

I was very happy to see a new short story included in a recent issue of The Bohemyth - A Literary Journal.  "Last Orders" is set in an Irish college town among a small group of friends.   It is about four college age people who live together.   We have David, the party is for him because he is going back home, Laura, the male narrator, and Aisling.  The mode is very somber.  We sense Laura may love David but I do not sense there was ever a real romance.  David is not Irish, he is from Trinidad.  I will quote a bit from the story to give you  a sense of the wonderful prose style and high narrative skill of Connors.

"David had lived with us for nearly a year, a great silent hulk moving quietly about, talking about music or movies or about his confusion at an Irish person’s happy disposition in such as sunless country. David was from Trinidad and had followed some crazy idea of coming to Ireland in search of adventure. We laughed about that many times, telling him that if he wanted adventure to try walk through Temple Bar unmolested around 2am of a Saturday night. He never did, to the best of my knowledge. One night, years ago, with the rain sluicing down the windows in great torrents, he told me about home, about ‘his’ island as he called it. He had been home only once in four years, for his sisters wedding. In that moment I felt that David was running from something, as if he had let some gap develop and he regretted it. He rarely spoke of his family and when he did it was always of his mother. I once asked about his father, had he passed away? David replied with a simple, soft ‘no.’ Though I wanted to, I never pressed him on this, I never went fishing for more information. That evening he told me that he had been away for a long time and he felt maybe he was ready to go home."

Part of the attraction of David is that he brings with him a sense of a place unlike Ireland.  I loved these marvelous lines:

"Home, I always found it strange how he spoke of it. Home never seemed to be thousands of miles away but somewhere you could walk to, somewhere just around the corner that he could visit whenever he wanted. To me David held a little of his home inside him, stored in some jar or cubbie hole in his soul. He carried the sun and warmth with him and, though it was a kind of precious energy that kept him going, he was not afraid to share it with you. That was David and that was why people loved him."

The ending of the story is very moving.  It has a lot to say about the nature of friendships, of the bonds of youth, perhaps never to be as strong again, about what it is to lose someone and know there will always be void where they once were.  "Last Orders" is a first rate short story with very subtle insights that I greatly enjoyed reading.

I have a feeling one day I will be posting on a collection of short stories by Graham Connors and I hope it is not too long coming.

You can read this story here.  It is totally worth the few minutes it will take you to read it.

Graham Connors has kindly agreed to do a Q and A Session for Irish Short Story Month so please watch for that coming soon.

Author Data


Graham Connors is thirty years old and has previously been published in wordlegs magazine, 30 Under 30 (both e-book and paperback editions), Allegory magazine, Under Thirty magazine, The Bohemyth, The Lit Garden, Link magazine and long-listed for the Doire Press International Chapbook competition. He is the founder and editor of Number Eleven Magazine as well as contributing editor for the Dublin Informer newspaper. He successfully staged his first play, ‘The Mortal Pitch’, in both Wexford and Dublin.  He is from Gorey, in Co. Wexford but has lived in Dublin for the last ten years.  Someday he’ll find his way back home..



Mel u

Friday, November 30, 2012

"Great Expectations" by Graham Connors

"Great Expectations" by Graham Connors (2012, 5 pages)


30 Under 30:  A Selection of Short Stories by Thirty Young Irish Writers edited by Elizabeth Reapy with a foreword by John Walsh

The Irish Quarter


Graham Connors






There are thirty stories in 30 Under 30:  A Selection of Short Stories by Thirty Young Irish Writers.   (I totally endorse purchase of this very fairly priced collection and will provide a publisher's link at the end of this post.)   There is also a very interesting introduction  by the editor Elizabeth Reapy (I have posted on her very well done short story, "Statues") and a foreword  by John Walsh..   Agreeing with John Walsh, I think this book could well be a collector's item one day.  

Posting on collections of short stories that include the works of many different authors presents a big challenge, to me at least.   I do not personally care for reviews or posts on short story collections that simply have one or two lines on a few of the stories and then gush over the collection as a whole with standard book review quotes.  These could in fact easily be written without reading much of the collection and to me it is like going on about a forest without realizing it is made up of trees.   Because of the high quality of the stories and the collection's  ability to acquaint me with contemporary Irish short stories, I now plan to post individually on all of the stories in the collection.

Upon completion of this project, I will list my top five stories.

"Great Expectations" by Graham Connors is a very well written thoroughly entertaining account of a young man's first sexual encounter, with his oh so sexy girl friend in her parents house when her parents, especially her very scary father, are out for the night.   There is a lot of what I call Irish slang in the stories in the collection.   As I was reading "Great Expectations" I needed to Google "the jacks" as Irish slang to see what his girl friend was doing when she ran out to the jacks, i. e. the C. R. as is said in Tagalog slang.  

We can feel his anxiety and self criticism as he is in her bed room with her half naked and all he can find to talk about is the posters on her wall.  The girl says she wants them to watch a porno movie she got from her 15 year old brother's room, to see what he is into.   When she "slapped the gob" on him I think I knew what that was.  We see him get more nervous, and aroused, as it looks like sex is actually going to happen.   He thinks about the things his buddies have told him about girls.  Then something terrible happens, no her father does not burst in with a gun, and it all goes flat.


"Great Expectations" by Graham Connors was a very well done, totally entertaining, very visual and funny story that I greatly enjoyed reading.  

Author Data (from 30 Under 30)

Graham Connors is 29 years old and has previously published in wordlegs.com and in Link magazine.  He has successfully staged his first play, The Mortal Pitch, in both Wexford and Dublin.   He is from County Wexford but moved to Dublin for college and has yet to find his way back.  

You can find more information on 30 Under Thirty:  A Selection of Short Stories by Thirty Young Irish Writers at the web page of Doire Press.  

Mel u


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