Showing posts with label Eddie Stack. Show all posts
Showing posts with label Eddie Stack. Show all posts

Saturday, April 27, 2013

Eddie Stack A Question and Answer Session with the Author of Out of The Blue, The West, and A Simple Twist of Fate




Eddie Stack






Eddie Stack
.
 When did you start writing?

I wrote a poem when I was 10, I remember it because it was in Irish. I spent a spell in Dublin in the early 1970s and drank in McDaids and Grogans, friends of Behan, Myles and Kavanagh were still around then and one of them suggested I write  stories after a  night of storytelling at some party. I had  heard old storytellers tell tales in our pub, and must have picked up something from them. It took me a long time to get my first short story 'right'. Around the same time I stopped drinking and concentrated on writing. My first story was published in Criterion 85, a UC Galway literary journal which also included work by Seamus Heaney and John McGahern.



 I sometimes wonder why such a disproportionate amount of literature of the world, that is regarded as great, is written in the colder temperate zones rather than in the tropics. How big a factor do you think the Irish weather is in shaping the literary output of its writers? I cannot imagine The Brothers Karamazov being written on a tropical island, for example.

When I'm in Ireland, I work better if the weather is bad. I sort of hibernate until I  finish a story and actually welcome wind and rain because it keeps me indoors. I don't know if it's the same for other Irish writers.  I find it easier to write in Ireland than California, where I spend part of the year.


 Why have the Irish produced such a disproportionate to their population number of great writers?

I think the Irish are natural storytellers, it's in our culture, in our DNA. Plus I think we have a lot of heart and empathy for the human condition. That's expressed through our arts.


  (Ok this may seem like a silly question but I pose it anyway-do you believe in Fairies?-this quote from Declan Kiberd sort of explains why I am asking this:
"One 1916 veteran recalled, in old age, his youthful conviction that the rebellion would “put an end to the rule of the fairies in Ireland”. In this it was notably unsuccessful: during the 1920s, a young student named Samuel Beckett reported seeing a fairy-man in the New Square of Trinity College Dublin; and two decades later a Galway woman, when asked by an American anthropologist whether she really believed in the “little people”, replied with terse sophistication: “I do not, sir – but they’re there."

I tend to agree with the Galway woman. Some years ago I was interviewing the last Irish speaker in Doolin, County Clare. It was a few days after Christmas, there was no electricity in the cottage and we sat by an open turf fire. Fairies came up in our conversation and the man said of course he believed in them. In fact, a group of them had passed by his cottage that very day, he saw them go by in a sí gaoth (shee gwee) or fairy wind. He didn't have the courage to speak with them and ask them where they were going. As he was telling me this, 2 butterflies appeared out of the darkness and flitted in front of the fire. I was astonished to see butterflies in the middle of an Irish winter. 'There's two more of them,” my informant said in Irish and I nodded. There was nothing to say.

 Do you think the very large amount of remains from neolithic periods (the highest in the world) in Ireland has shaped in the literature and psyche of the country?

They have definitely shaped our psyche and therefore influenced the literature in some way.

 Does the character of the "stage Irishman" live on still in the heavy drinking, violent, on the dole characters one finds in many contemporary Irish novels?
Yes, I believe that guy is still alive, but will die young.



14.  William Butler Yeats said in "The Literary Movement"-- "“The popular poetry of England celebrates her victories, but the popular poetry of Ireland remembers only defeats and defeated persons.” I see a similarity of this to the heroes of the Philippines.  American heroes were all victors, they won wars and achieved independence. The national heroes of the Philippines were almost all ultimately failures, most executed by the Spanish or American rulers. How do you think the fact Yeats is alluding too, assuming you agree, has shaped Irish literature?

Learning Irish history at school, I kept hoping with every new page that we'd be victorious. We never really were. We lost battles, lost wars and many of our heroes were executed or transported to Australia or jailed. I think this has shaped our personality and psyche and ultimately shapes our literature. In my own work, heroes and heroines are often ordinary people, my characters wouldn't do Rambo very well.

I have read lots of Indian and American short stories in addition to Irish, and alcohol plays a much bigger part in the Irish stories. How should an outsider take this and what does it say about Irish culture?

I was born and raised in a pub and so seeing people drinking was part of everyday life for me. That time, the pub was the hub of Irish social life and played a significant role in Irish communities. It's only natural that alcohol features prominently in our stories. I think every story in my collection The West has drink in it. The Irish love to celebrate, down pints, dance and be merry. For millennia, alcohol was our social flux...and often we drank too much of it. I did myself, at any rate. We were a nation who drowned her sorrows in alcohol and baptised her babies in it. To a good extent, these days are over. I think outsiders will see more drinking in our literature than in our real lives. As regards what it says about our culture: alcohol has played it's part but I hope we're moving on and becoming more aware of the dangers of the demon drink.

Where is the best place in Galway and Dublin to get a real Irish breakfast?  Fish and Chips and Irish Stew?

Fish and Chips in Galway — McDonaghs on Quay Street.



 The Aran Islands - must see authentic experience or just for the tourists?

Authentic, especially Inis Mean and Inisheer.
-
 What do you miss most when you are not in Ireland?  what are you glad to be away from?

Most of all I miss family and friends, the culture and the bonhomie. Also the land itself, which I find very healing and nurturing.
I'm glad to be away from the Irish winters.


 Lots of writers and readers see the growth of ereaders as the sign of the decline in the quality of readers-you are considered a pioneer in digital publishing-how do you respond to people who might see you as turning against the book?

I don't see ereaders as the death knell for the book. I prefer to read a physical book than an electronic one. I came to digital publishing from desktop publishing. Nowadays, I publish digitally  first, then in traditional print, so I'm not 'turning against' the book. I use digital publishing because it gets my work into the public arena quickly and it's a way for me to build up readership.


End

I give my greatest thanks for providing us with such interesting answers.  I again repeat my thanks for his wonderful support for Irish Short Story Week Year III.


Author Bio

Eddie Stack has received several accolades for his fiction, including an American Small Press of the Year Award, and a Top 100 Irish American Award. Recognized as an outstanding short story writer, he is the author of four books —The West; Out of the Blue; HEADS and Simple Twist of Fate.

                                
His work has appeared in literary reviews and anthologies worldwide, including Fiction, Confrontation, Whispers & Shouts, Southwords and Criterion; State of the Art: Stories from New Irish Writers; Irish Christmas Stories, The Clare Anthology and Fiction in the Classroom.


A natural storyteller, Eddie has recorded spoken word versions of his work, with music by Martin Hayes and Dennis Cahill. In 2010, he integrated spoken word and printed work with art, music and song to produce an iPhone app of The West; this was the first iPhone app of Irish fiction

I again give my greatest thanks to Eddie Stack for his tremendous support for Irish Short Story Week Year III.

Mel u

Saturday, March 30, 2013

"Couples" by Eddie Stack - A Short Story



"Couples" by Eddie Stack - A Short Story
A Reading Life Special Event
Irish Short Story Month Year III
March 1 to March 31
Eddie Stack
Dublin


In an act of supreme generosity Eddie Stack has sent me 22 short stories to post for Irish Short Story Month.   I offer him my great thanks for this.  I intend to share all of these short stories with my readers.  He is a master story teller with a deep understanding of Ireland.   

Press comments on his work


Praise for Eddie Stack’s writing

"Mr. Stack's fiction is versatile and engaging...a vivid, compassionate, authentic voice...securing (him) a place in the celebrated tradition of his country's storytelling.”
New York Times Book Review

“This second collection of short stories by Eddie Stack has a wonderful sense of unreality, of weirdness among Irish characters and of downright fun.”

Irish Emigrant

“Eddie Stack’s stories jet back and forth across the Atlantic, contrasting small town Ireland and big city US. Every time they land, the author seems to test the borderline of what might and might not be possible in downtown bars, crumbling dance halls and drizzly farms. The result is a remarkably consistent collection of short stories.

Ian Wild, Southword


The sitting room was warm and serene, with a trace of jasmine incense. The radio whispered classical music from Lyric FM, and Mona balanced her checkbook on a beanbag near the fire. In an armchair across the hearth, her husband Rolf frowned at a Picasso print on the wall: War and Peace. He looked preoccupied, a bundle of typed pages on his lap.
      “I got a call from Dermot today,” he said quietly, “Kate moved out.”
      “What?”
      “Kate moved out. She left Dermot.”
      “Jesus Christ! Why didn’t you tell me before now?”
      “I was waiting for the right time.”
      “But Jesus Christ Rolf, she’s my best friend!”
      “I know.”
      “When did this happen?”
      “Yesterday.”
      “Oh my God. This is incredible. I spoke with her on Sunday and she didn’t say anything. What happened?”
“Apparently she met someone else. Dermot never knew. She told him as she was packing.”
“And she left just like that?”
       He nodded and went to the kitchen for a bottle of wine.
Mona looked at the small black and white photo on the mantelpiece from a college ball: Rolf and herself with Dermot and Kate. The couples had been best friends since way back then. Kate was shy, Dermot was loose, Rolf was stiff and Mona was somewhere in between. “I can’t believe this,” she whispered.
They had known each other forever, stuck around town after graduating and became part of the arts scene. Dermot worked as producer in a local radio station; Rolf was editor of a community paper and Mona had a small craft shop in a renovated mill by the waterfront. Kate taught creative writing at the university.
      “I’m shocked,” she muttered when Rolf returned with the bottle,  “Jesus Christ, we never know what’s going on in someone’s life.”
      He nodded and poured two glasses of wine.
“But I can’t imagine her with anyone apart from Dermot,” Mona said.
      “It seems she was seeing this guy for the last three months. He’s Spanish, a chef in college canteen.”
      “Holy shit.”
      “They’re moving to Alicante.”
      “Jesus! Alicante! What’s the matter with her?”

A few nights later, Dermot came over for dinner. He spilled his heart out and Mona went to bed early, leaving the two men to drink and talk until dawn. He came again the following week, and told them he had received a letter from Kate’s lawyer – she wasn’t coming back and wanted to sell their house. He cried at the dinner and got drunk and conked out on the sitting room sofa. They worried about him, and Mona wrote to Kate through her solicitor, hoping to coax her to her senses.  When she received no response after three weeks, she wrote again.
“I don’t believe this,” she said to Rolf, “I mean, I thought we were best friends.”
Through six months of legal ping-pong, Dermot came for dinner at least once a week. They listened and consoled him, gave him heart and support. They read the small print in legal documents and helped him fight his corner. They cajoled him into to going to concerts with them, brought him to the Arts Festival reception and tried to humour him out of his sorrows. It was their idea that he should buy a small apartment down by the harbour when it was all over. Make a fresh start, they said, everything will be fine, you’re a young man in your prime.

After the divorce was finalised and all bonds were untied, he took their advice and bought an apartment. A one bedroom box, with a balcony overlooking the docks, it faced south and had a view of the Blue Mountains over the roofs of warehouses. He moved in on his thirty-seventh birthday, and Mona and Rolf came by with two bottles of champagne to warm the home and celebrate his new age. He didn’t sleep for hours after they left and got up several times to look at the boats in the harbour. In the morning, he sat on the floor and had a breakfast of coffee and cornflakes. He opened the windows and smelled the sea, played CDs of songs from his youth.
As Dermot settled into his new home, he came over to Rolf and Mona’s less frequently, though the two men had lunch together at least once a week. His social life got hectic as summer came to town, and Rolf heard he was living life full throttle, meeting women from Italy, Spain, Poland and Ukraine. There were Americans too, a divorcee from Mayo and an exotic ballet dancer from Birr.
“I trust you’re using rubbers,” Rolf remarked, hearing of a threesome.
“Several,” his friend smiled.

Dermot came over for a barbecue on the August holiday weekend. A god-sent balmy evening, they lingered outside and finished four bottles of Aldi wine before the night chilled. Back inside, Mona lit a token fire in the sitting room and made Irish coffees. Late into the night, Dermot gave a dramatic recitation of the ‘Ballad of Reading Gaol’. Rolf corrected what he said was a misquoted line and that somehow led to an argument between them. Voices were raised. Mona ordered Dermot to cool down.
He looked at her with hurt eyes, walked out and banged the door.
Then he stuck his head back in and shouted,
“You’ve become fucking yuppies!”
The couple talked about the incident in the morning and Mona said Dermot owed them an apology. Rolf said, “Look, the guy was drunk. He was just letting off steam...he’s been through a lot. Let’s pretend it never happened.”

Dermot and Rolf didn’t have lunch the following week, or the week after that. August rolled on without contact and Mona said, “You should write to that jerk and demand an apology.”
“Actually I was wrong, I looked up the poem. He was correct. If anything, it’s us who owe him an apology. I intend writing to him.”
“But he called us fucking yuppies, Rolf.”
“Look. Forget it. It’ll sort itself out. Ok?”
In late September they went on holidays to Greece. Rolf hated the resort, a noisy seaside town in Lesbos, packed with British and German tourists. They had a studio apartment in a large complex at the edge of town, and he was unnerved by young Greeks on motorcycles whenever they walked to the beach.  The sand was littered with cigarette butts and drinking straws. The sun was merciless and Rolf brooded in the shade of a rented umbrella.
The Dermot issue followed them to Greece, and when Mona raised it one night at dinner, Rolf snapped. “For Christ’s sake Mona, can’t you forget the bloody thing while we’re on holidays?”
“I just want to resolve it.”
He was boiling and she thought he was going to explode like an over-inflated balloon. She pulled back from the table in alarm. He called a waiter and ordered a brandy and a cigar. For the rest of the evening they ignored each other, and when she got up next morning he was gone. An unsigned note left on the table read: I’m taking off for a few days on my own.
At first she was furious, and spent the day sipping brandy frappes outside the Lazy Fish taverna on the waterfront. That bastard won’t spoil my holiday, she resolved. Greek youths passed like golden godettes. A flush of freedom lulled over her: singledom in the sun. Siesta sex. No, no, she couldn’t do it. But it would be good enough for him, and the thought warmed her. After that she tanned in the sun by the pool in the apartment complex and dreamed of sin, over ouzo and coke.
Two days before they were due to leave for home, Rolf returned. It was late afternoon and the plaza by the pool was crowded and smelled of chlorine and body lotion. He picked his way around sunbeds until he spotted Mona sitting under a canvas parasol. She was chatting to a tanned Euroman with bleached hair. Rolf stopped, he saw them clink cocktail glasses. His mouth dried up and he turned away quickly.
      Later that night they were both drunk when they met in the apartment. He called her a whore and she slapped him across the face and said he was a wimp. They stared at each other, breathing heavily like animals. No more words were spoken. Rolf backed away and spent the night on balcony, sleeping on a sun chair.
Their journey home was silent. Autumn had set in and Mona lit the sitting room fire and turned on the central heating at night. For a week they barely spoke and then one evening at dinner she said,
“Look, I’m sorry I went on about that incident with Dermot. Maybe we should try and patch things up with him. . .maybe I should call and invite him over.”
“Why? Do you want to fuck him?”
He stared so hard at her that she dropped her cutlery and fled from the table.
They slept apart after that, and the house didn’t lighten until Rolf went away for a few days.  When he came back, he stopped using the sitting room and went straight to bed in the evening. Every Friday night he came home drunk and Mona found him asleep at the kitchen table on a couple of Saturday mornings. By Christmas she was seeing a therapist.

Dermot partied most weekends and the carpet in his apartment was stained, and the door to the shower was buckled. A French woman he took home refused to leave for two days. The following week his Mayo lover dropped by when he was entertaining someone else, and the two Donnas fought on the floor like cats until security men arrived. He drank and cavorted at full belt, seeing no end to the party. He was a free man and he was going to taste every fruit in Paradise. But fate had other plans. Dressed as a one-eyed pirate for the Arts Ball, he stumbled down the steps of the Silver Bay Hotel and cracked his ankle. He was out of work for a month and came back with a cane. That brought a cooling period and a time of forced reflection.
He was resting up one night, mindlessly watching the news on television, when Rolf arrived unannounced. His face was flushed and he extended his hand in friendship. Dermot shook it and invited him inside. 
“Well it’s good to see you, Rolf,” he said, taking two cans of cider from the fridge.
“Sorry it took so long. . .”
“I often meant to call, but you know the way life goes.”
Rolf nodded with a smile. He eased back on the couch and said, “Well I come with good news. I’m in love.”
“What? What did you say?”
“I’m in love,” Rolf beamed.
It happened in Greece while he was away from Mona. He was drinking alone in a beach club, watching a few women dance. One of them in particular held his eyes — a tall dark-haired lady in tight white jeans and orange t-shirt. She magnetized him and he got up and danced beside her.
“Christ Rolf, I can’t imagine you discoing.”
“Well I did….beside this beautiful woman...I invited her to have a drink and we got chatting.”
Catriona was from Paris, and married to a mathematician, she told him almost immediately. She was a photographer, on the island on assignment for a travel magazine. When the club closed, they strolled along the shore. A blue moon hung over Turkey, a gentle sea lapping at their feet. They talked for hours and walked back to her hotel at dawn. But she declined to take Rolf inside or even kiss him goodbye.
      They met again next evening and went for a meal at a taverna in a small mountain village she knew. There was singing and dancing by old men with proud white mustaches and women with red scarves.  Surrounded by feta cheese and olives, Rolf felt the spirit of old Greece through wine and ouzo. He melted into the most wonderful night of his life.
      “I fell in love. And we didn’t even kiss.”
      “Jesus. Does Mona know?”
      Rolf shook his head, drank from his can.
      “Not yet,” he said, “anyway, it gets better. I arrived home smitten by Catriona. I had her business card and wrote to her, but she didn’t reply. I phoned a few times but only got her voice mail. I left messages of course, but she never returned my calls.”
      After a month Rolf flew to Paris and went to her address. From a bench down the street he watched the apartment. Occasionally he glimpsed blurred bodies behind lace curtains. When it got dark he saw her silhouette on the shades, saw her husband’s silhouette. Saw the light go out.
      “I can’t express how emotional I felt,” he told Dermot, “On top of everything, I was ashamed of myself for snooping on her.”
      Next morning, some distance from the apartment, he approached Catriona as she walked to work. She was bewildered to see him and agreed to have coffee, even though she was running late. He bared his soul and she lit a cigarette and sighed, “Look, you’re a lovely man, but I’m in love with a lovely man already. Please leave me alone.”
      Rolf went back to Ireland brokenhearted and a few weeks later he returned to Paris. He approached her on the way home from work but she refused to talk with him and threatened to call the police. Rolf pleaded with her but she ran away, shouting in French. Back at home he wrote and apologized, promised never to bother her again. After that he was overwhelmed by sadness and loneliness.
      “And why didn’t you say something?” Dermot asked.
      “I couldn’t. There was nothing to say. Until two weeks ago, that is — I got a letter from her, a note really. She just wrote Are you there?”
      Rolf’s eyes glinted like crystals in the sun.
      “I’m in love,” he said, “and I wasn’t even looking for love. I’ve just been to Paris and Catriona and myself had a magical time together. I’m divorcing Mona.”
      “Jesus! I’d take it a bit slower if I were you.”
      Rolf nodded patiently and said,
      “I have never been more certain about anything in my life. We’re meant for each other and we’re in love.”
      “Well, congratulations…I’m flabbergasted.”
      “There will be some to-ing and fro-ing between here and Paris for a while. Then Catriona will probably move here.”

Winter winds and hail attacked the harbour town and Dermot’s apartment was like a ship’s bridge in a storm. Fishing boats were tied four deep at the quay and the clinking of cables against masts, kept him awake half of the night.  Constant gale warnings, the days never seemed to brighten beyond stone grey. He called Rolf at work a few times but he was away. Then he received a postcard from Paris; Rolf was helping Catriona pack her stuff and move to Ireland.
On a wet March evening, as Dermot walked home from the radio station, he met Mona outside McFadden’s Supermarket. Hidden in a dark heavy wool coat, a fur Cossack hat down to her eyebrows, she was ashen-faced.
Did you hear?” she asked, with eyes full of hurt, “He left me.”   
Dermot hugged her and patted her back. She shuddered into sobs and he linked her to a doorway, out of the path of shoppers and homegoing workers. He held her while she cried on his shoulder. He whispered that he understood, he understood. She sniffled herself together and said quietly,
“Thanks Dermot, I’m fine now.”
They went into Neylon’s Bar and sat in a small private snug that had a blazing turf fire. Dermot ordered hot whiskeys and Mona told her story. They had another drink.
“He just walked out,” she muttered, “he told me to keep the fucking house . . .I hear they’re renting a place in Ballyboy.”
“Christ, I’m sorry Mona.”
“Well you know what it’s like, you’ve been through it too.”
They fell silent. A clock ticked solemnly somewhere in the pub. The fire murmured up the chimney. From the bar came quiet mutters of conversation, clinking bottles, clunk and hiss of beer pumps. A smoker’s cough. Coins being counted on the counter. The clock chimed eight. Dermot gently put his hand on Mona’s.
“Would you like another drink?” he asked.
“Yeah,” she said with a tear-eyed smile, “why not?”
     
 End of Guest Post




Author Bio

Eddie Stack has received several accolades for his fiction, including an American Small Press of the Year Award, and a Top 100 Irish American Award. Recognized as an outstanding short story writer, he is the author of four books —The West; Out of the Blue; HEADS and Simple Twist of Fate.

west-sml           blue-sml           heads-sm           simple-twst-sm

His work has appeared in literary reviews and anthologies worldwide, including Fiction, Confrontation, Whispers & Shouts, Southwords and Criterion; State of the Art: Stories from New Irish Writers; Irish Christmas Stories, The Clare Anthology and Fiction in the Classroom.


A natural storyteller, Eddie has recorded spoken word versions of his work, with music by Martin Hayes and Dennis Cahill. In 2010, he integrated spoken word and printed work with art, music and song to produce an iPhone app of The West; this was the first iPhone app of Irish fiction.

My great thanks to Eddie Stack for allowing me to post this story.

This story is the sole property of Eddie Stack and is protected under international copyright laws and cannot be published or posted online without his permission.

Mel u


                                   



Friday, March 29, 2013

"Blue Money" by Eddie Stack - A Short Story



"Blue Money" A Short Story by Eddie Stack
A Reading Life Special Event
Irish Short Story Month Year III
March 1 to March 31
Eddie Stack
Dublin


In an act of supreme generosity Eddie Stack has sent me 22 short stories to post for Irish Short Story Month.   I offer him my great thanks for this.  I intend to share all of these short stories with my readers.  He is a master story teller with a deep understanding of Ireland.   

Press comments on his work


Praise for Eddie Stack’s writing

"Mr. Stack's fiction is versatile and engaging...a vivid, compassionate, authentic voice...securing (him) a place in the celebrated tradition of his country's storytelling.”
New York Times Book Review

“This second collection of short stories by Eddie Stack has a wonderful sense of unreality, of weirdness among Irish characters and of downright fun.”

Irish Emigrant

“Eddie Stack’s stories jet back and forth across the Atlantic, contrasting small town Ireland and big city US. Every time they land, the author seems to test the borderline of what might and might not be possible in downtown bars, crumbling dance halls and drizzly farms. The result is a remarkably consistent collection of short stories.

Ian Wild, Southword


Sunday afternoon was warm and lazy and those who could, went to the seaside. Deep in the glen below the town, John and Marty fished by an old chestnut tree that arched over the bank, darkening the water with its shadow.  Only quiet river sounds dimpled the stillness: the distant pop of a rising trout, the worried hoot of a water hen in the reeds.
      Rods resting on the grass verge, they sat against the tree and watched their floats. Bored and penniless, they were sixteen and just finished school for the summer. Marty flicked a pebble into the water and said, “What d’you think of knockin’ off those donation boxes in the church?”
      “For fuck’s sake,” John muttered, “you can’t be serious?”
      “It’s handy dosh and...”
      Marty stopped when he heard voices approach. John heard them too, the giggles of young women. Linking each other, a pair of young ladies slowly walked up the tree-lined riverbank.
      “Jesus,” whispered John, “who’re these two?”
      They were strangers. One wore a wide-brimmed straw hat, tight white t-shirt and shorts; the other had a purple bandanna around her head, black halter-top and denim mini-skirt.
      “Christ,” muttered Marty, “look at the legs of ‘em.”
      Engrossed in their own conversation, the women didn’t notice the youths peering from behind the tree until they were ten steps away. They quietly exchanged ‘hellos’ and the one in the straw hat called,
      “Catch any fish?”
      “No,” the lads replied in unison.
      “What are you fishing for anyway?”
      “Trout, fluke, eels…whatever,” Marty said.
      “Would any of you have a cigarette?”
      “No,” said Marty and John shook his head.
      The women joined them and hunkered down on the bank by the tree. Out-of-state by their accents, older than the youths by a few years.
      “I’m Suzy,” the straw hatted one said, “and this is my friend Blue.”
      The boys introduced themselves and smiled shyly.
      “Are ye on holidays?” Marty asked.
      “You could say that,” Blue replied,  “are you locals?”
      “Yeah, we’re from the town,” Marty nodded.
      “Beautiful little place,” Suzy said, “you live in a lovely part of the country.”
      “Are ye staying in bed and breakfast?” Marty inquired.
      “No,” Blue said, “we’re camping.”
      “Good weather for it,” mumbled John, his eyes on the fishing line, too shy to look at the strangers. Marty took side glances at them and noticed neither wore a bra. Their legs were bronzed and shapely and his heart bombed when he looked right up between Blue’s thighs and saw no underwear. She caught him peeping and when their eyes met, she grinned and he quickly turned away and fumbled with his fishing rod.
      “If you catch any fish,” she said, “can we have some?”
      “Sure,” Marty said and John nodded.
      “We’re camping in the little wood below,” Suzy said, pointing downstream, “so if you get lucky, you know where we are...”
      “Okay,” Marty smiled and the women left, talking quietly as they strolled down the riverside path.
      “Jesus Christ, what do you make of that?” Marty whispered.
      John shook his head quickly and blurted,
      “Fine things, aren’t they?”
      “For fuck’s sake, they’re mad for the ride…no bras or knickers or anything...fish my arse…it’s fellas they want...”
      They caught no fish, though they waited under the chestnut tree for another couple of hours. Women on their minds, they returned home for Sunday tea when the Angelus pealed from the church across the river.

Later that evening they hung outside the chip-shop, looking down towards the river, wondering what the women were doing, where they were from, why did they come here, above all places. As the sun went down, Marty became frustrated.  “Listen, they want us to ride them…I bet they’re waiting below in the wood for us.”
      “We can’t just walk in on them.”
      The Sunday drinkers came to town and packed the few pubs, livening the summer’s night with the rumpus of card playing and dart throwing. Marty rambled on about the things he was going to do when he became a man: drink, gamble and bed as many women as he could. “It’s the only job,” he muttered, kicking his toes against a telegraph pole, “that’s what we’re here for.”

When they went to the river the next morning, Marty had a pack of cigarettes he nicked from his mother’s handbag.  The weather was heavy and overcast and looked like it could rain at any time.
      “It might be a good day for fish,” John said, as they cast their lines by the chestnut tree.
      “Let’s leave the rods here and go down the wood to these dames,” Marty urged.
      They strode in single file, Marty leading. Wild woodbine and rambling rose scented the air with anticipation. Marty stopped at the old stone bridge and said quietly,
      “I want the one with the straw hat, you can have the other one.”
      “Blue?” John whispered and Marty nodded.
      Eyes scanning for sign of the camp, ears perked for female sound, they followed a path by a   rattling brook and went deeper into the wood. Finches fretted, blackbirds fled and a grey heron rasped from an oak tree as they passed below. They smelled smoke, heard voices in the distance. Marty grinned, gave the thumbs-up sign and moved quicker.
      Suzy was bathing naked in the stream when they came into the campsite.
      “The fishermen!” she greeted and Blue stood up from a small crackling fire, a blackened can in her hand.
      “Any fish?” she asked.
      Marty shook his head. “Not yet,” he smiled, “but we brought ye cigarettes.” He looked at Suzy, sitting in the water. He’d never before seen a nude woman in the flesh and his whole body tingled.
      John glanced at the fire and the makeshift camp: a sheet of brown tarpaulin draped over a fallen tree. The others spoke but he hardly heard them, his eyes roaming over the objects hanging from sticks impaled in the soft ground: a dead crow, rabbit skins, a long yellowed bone, a cow’s skull with one horn. He wanted to retreat but Blue was offering him tea. “Hope you don’t mind drinking from a jam jar.”
      “I’m fine,” he muttered.
      Suzy came dripping from the stream and Marty drooled as she dried herself with a torn towel. He opened the pack of cigarettes and offered them around. Everyone took one except John. Suzy teased him and he blushed. “We were going to come down last night,” Marty said, blowing a smoke ring.
      “You should have,” Blue said, “we love company.”
      Marty smiled and sat on a stone by the fire. “So do we,” he chuckled, “nothing happens in the town….it’s dead as a graveyard.” John nodded, testing sentences in his head. 
      “Are ye staying long?” he asked, eventually.
      “It depends,” Suzy replied, buttoning a long shirt that came to her thighs.
      “Yeah, it depends,” agreed Blue.
      “Ye’ve a grand spot here,” Marty said, offering another round of cigarettes.
      “Can I take a few of these for later?” Blue asked.
      “No problem,” Marty said and gave her four.
      “You’re really nice guys,” Suzy smiled.
      A slight breezed rustled the treetops overhead and heavy drops of rain pattered on the leaves.
 John looked skywards. “I better get back to the fishing rods.”
      “They’re alright,” assured Marty, “stay where you are; you’ll get drenched.” But his mind was made up and he dashed away.

Back by the chestnut tree John watched the river boil in the heavy rain, peeping down the path every once in a while for Marty. He waited an hour, then another before his mate appeared running, a delirious grin on his face.
      “They’ll ride,” he panted, “I asked them...they’ll do it.”
      “Jesus!”
      “Yeah. . .anytime, they said, . .but we’ll have to pay them.”
      “Pay them?”
      “Yeah…they’re broke….they want fifty euros.”
      “Are you serious? Are they....are they prostitutes or something?”
      “No...they’re just broke.”

Marty went to the church that evening and knelt at the back near the statue of Martin de Porres. He waited for the worshipers to disperse after Benediction and slipped into a confessional when Joe Tobin, the sacristan was at the altar quenching candles. In the dark he heard Joe swish by, greeting statues as he passed, saying a prayer here, making a request there. He heard the heavy doors creak shut and the lock snap home.  Then the church was quiet and peaceful, apart from the rain drumming on the roof.
      When Marty left the confessional, the air held ghost smells of quenched candles and incense. Empty and bigger than he had ever seen it, the church was dimly lit by evening light coming through the stained glass window behind the altar and the flickering red glow from the sanctuary lamp. He went to the wooden Vincent de Paul collection box and lifted it. Disappointed that it was so light, he wondered if there was more money in the Foreign Missions box under the statue of Saint Patrick. That was heavier alright, and with a box under each arm he went into the sacristy and out through a window.
      In the graveyard behind the church he tried to force the boxes open with his penknife but the blade broke. “Fuck,” he muttered, “fuck, fuck, fuck.”
      He looked at the church clock: it was nearly nine. The girls would be waiting; John would be waiting. He’d better hurry. But he couldn’t walk over the bridge and through the town carrying two collection boxes. Better to cross the river below the cascades, on the stepping-stones the poachers used to snatch salmon.
      The river was swollen and the stepping stones were almost covered by the flood. He took off his shoes, tied them together by the laces and slung the brogues around his neck. A box under each arm, he stepped on the stones, wary as a tightrope walker. Water rushed against his feet and halfway across, he felt it hard to keep his balance and wondered about turning back. He glanced around and saw Tobin the sacristan on the bridge above, waving madly.

Downstream by the old chestnut tree, John sat between Suzy and Blue. He felt uncomfortable and wished Marty would arrive soon. It was almost twilight and the river was running fast and urgent with the flood. Rubbish and debris from the town floated past and then on its own, like a baby’s coffin, the wooden Vincent de Paul box. John recognised it and said,
      “He’ll be here soon.”
      “Good.”
      “You sure you got no cigarettes?” Suzy pressed.
      They waited another ten minutes or so and then the women suggested John to go and look for his friend.
      “He owes me for a favour,” Blue said, “I want my money.”
      “Otherwise we’re taking these rods,” Suzy said.

Hurrying upstream towards town, John stopped when he saw dusky shapes by a pool called the Salmon Hole. From their helmets and caps he picked out the silhouettes of policemen and firemen. He saw them haul something heavy from the river.  A body. John’s heart thumped. He watched from behind a tree and saw the men take off their headgear and bless themselves. He blessed himself too and wondered if a poacher had fallen in and drowned. Names flipped through his mind. That’s what’s delaying Marty, he thought, he’ll arrive when all this drama is over.


End of Guest Post


Author Bio

Eddie Stack has received several accolades for his fiction, including an American Small Press of the Year Award, and a Top 100 Irish American Award. Recognized as an outstanding short story writer, he is the author of four books —The West; Out of the Blue; HEADS and Simple Twist of Fate.

west-sml           blue-sml           heads-sm           simple-twst-sm

His work has appeared in literary reviews and anthologies worldwide, including Fiction, Confrontation, Whispers & Shouts, Southwords and Criterion; State of the Art: Stories from New Irish Writers; Irish Christmas Stories, The Clare Anthology and Fiction in the Classroom.


A natural storyteller, Eddie has recorded spoken word versions of his work, with music by Martin Hayes and Dennis Cahill. In 2010, he integrated spoken word and printed work with art, music and song to produce an iPhone app of The West; this was the first iPhone app of Irish fiction.

My great thanks to Eddie Stack for allowing me to post this story.

This story is the sole property of Eddie Stack and is protected under international copyright laws and cannot be published or posted online without his permission.

Mel u









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